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Joelle Leandre & Jerome Bourdellon: Evidence
by Glenn Astarita
Bass and flute represent significant tonal contrasts and here, flutist Jerome Bourdellon and world-renowned bassist, composer and improviser Joelle Leandre divulge innumerable perspectives and quite a bit of food for thought on these duets. However, Bourdellon employs bass clarinet and bass flute on two tracks, as no other instruments are nestled into the mid-sections of the ...
Antoine Beuger, Jurg Frey: Dedalus
by John Eyles
Dutch flautist Antoine Beuger and Swiss clarinetist Jürg Frey are two of the leading lights of the highly influential Wandelweiser group, whose music (according to another key member, Radu Malfatti) is about “the evaluation and integration of silence(s) rather than an ongoing carpet of never-ending sounds." Dedalus features two compositions by Beuger and one by Frey, ...
Kyle Eastwood: The View From Here
by Bruce Lindsay
Kyle Eastwood's boyhood in Carmel, California, may have been where and when he began his love of jazz, but as an adult his love of France seems to impact more and more on his music. Eastwood's sixth album, The View From Here, doesn't always show this influence explicitly but it's there nonetheless and it's giving the ...
Sidony Box: Rules
by Glenn Astarita
French mix-master Venux Deluxe (Magma, Gong), duly captures his fellow countrymen's exuberant sound amid his penchant for detail on the trio's third album which is a powerful composite of jazz power trio fare and other stylistic factors. Thumping backbeats, thorny time signatures, pumped-up grooves and a few quieter moments make for a comprehensive program.
Erik Truffaz Quartet: El Tiempo De La Revolución
by Bruce Lindsay
Across a twenty-year recording career, Swiss-born trumpeter Erik Truffaz has explored jazz, rock, electronica, dance and ambient musics. El Tiempo De La Revolución, his tenth album for Blue Note France, mixes jazz, '80s soul and a touch of Nordic cool to create some intriguing soundscapes and moods.El Tiempo De La Revolución is credited to ...
Global Circulation Of Jazz - International Conference - Paris
Call for Papers and panelists Below is a an extract from the attached CFP - Call for papers (available in both English and French). A conference poster is also attached. An international conference entitled “Global Circulations of Jazz" will be held on June 27-28, 2013, at the Musée du Quai Branly. Bringing together specialists, anthropologists, historians, ...
Sylvaine Helary: Sylvaine Helary Trio
by Anthony Shaw
The French have long had an affinity for the surrealistic and the absurd--didn't they invent both expressions? Among the ranks of the leading left-field artists (from, of course, the left bank--the traditions stretch back to Antonin Artauld, the first to promote the first playable electronic keyboard, the Ondes Martenot, and Pierre Schaeffer, who created the expression ...
Manu Katche: Manu Katche
by Glenn Astarita
A celebrated session drummer and solo artist, Manu Katche's infamous method of crafting a backbeat may parallel the lyrical, dancelike aura for which late jazz drummer Paul Motian was noted. However, Katche's jazz roots are largely evident via his small group formats for ECM Records. On this self-titled release comprised of a multinational quartet, rock-solid pulses, ...
Celine Bonacina Trio: Open Heart
by Bruce Lindsay
The baritone saxophone is right at the heart of Céline Bonacina's Open Heart, her second album for ACT Music. This particular sax is too often consigned to the role of “rhythm saxophone," operating at the lower reaches of its register, with only a handful of players making full use of its potential. Bonacina, a French saxophonist ...
Carlos Alves "Zingaro": Live At Total Meeting
by John Sharpe
The cover to Live At Total Meeting depicts a maze, and that's a good metaphor for free improvised music. No-one knows where they are going or how they will get there. Even whether they have arrived or not is open to dispute. How the participants achieve resolution (of a sort)--negotiated, as it often is, without verbalization--is ...
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