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Article: Live Review

Moldejazz Festival 2018

Read "Moldejazz Festival 2018" reviewed by Luca Vitali

by Luca Vitali

Molde Jazz Festival Molde, Norvegia 15-19.07.2018 Il festival jazz di Molde è il secondo più antico d'Europa --fondato nel 1961, lo precede di un solo anno il festival di Ljubljana la cui prima edizione risale al 1960 --e ancora oggi il più importante in Norvegia. È qui che Keith Jarrett e Jan ...

18

Article: Album Review

Yokada: Stillness & Sirens

Read "Stillness & Sirens" reviewed by Karl Ackermann

by Karl Ackermann

A new Stockholm-based piano trio, Yokada, has released their debut recording on Lisa Ullén's Disorder label. Though the sparse liner notes give no indication, it is a safe assumption that the trio's name comes from Andrew Hill's “Yokada Yokada" on Judgment! (Blue Note, 1964). This release--Stillness and Sirens--features one composition that is a tribute to Hill. ...

7

Article: Album Review

The Thing: Again

Read "Again" reviewed by Mark Corroto

by Mark Corroto

Wait for it. Wait. At some point during a performance or recording by the trio known as The Thing, the band attempts to rip your face off, beginning with your ears. It's been that way since they were founded in 2000. The Swedish/Norwegian free jazz/garage band have become a kind of jazz/punk royalty, cutting huge swaths ...

4

Article: Album Review

Mars Williams / Tollef Østvang: Painted Pillars

Read "Painted Pillars" reviewed by Mark Corroto

by Mark Corroto

If you only know saxophonist Mars Williams from his gigs with the post-punk band The Psychedelic Furs or the hip-hop/funk band Liquid Soul, you're missing out on a talented and dedicated free-jazz improviser. He scatters himself in many directions, from collaborations with Chicago's Ken Vandermark, Tim Daisy, Jim Baker and Michael Zerang, to work in Europe ...

11

Article: Live Review

Vision Festival 2018

Read "Vision Festival 2018" reviewed by John Sharpe

by John Sharpe

23rd Annual Vision Festival Roulette New York, NY May 23-28, 2018 Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...

1

Article: Live Review

Trondheim Jazzfest 2018

Read "Trondheim Jazzfest 2018" reviewed by Henning Bolte

by Henning Bolte

Olafshallen, Dokhuset and other venues Trondheim Jazzfest Trondheim, Norway May 8-12, 2018 Trondheim, Norway's third largest city, is the country's main center of intelligence in science, engineering and technology. It holds a key place in Norwegian history and identity in general, and in jazz/music specifically. The ...

8

Article: Multiple Reviews

Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto

by Mark Corroto

Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...

5

Article: Album Review

Jon Rune Strøm Quintet: Fragments

Read "Fragments" reviewed by John Sharpe

by John Sharpe

Norwegian bassist Jon Rune Strøm, subscribes to none of the self-effacement which sometimes manifests itself on dates led by rhythm section mainstays. That is signaled straight away on the first cut of Fragments, where no other instrument is heard for the first six minutes. With bow in hand, he initially duets with fellow bassist Christian Meaas ...

5

Article: Album Review

Johan Lindström Septett: Music For Empty Halls

Read "Music For Empty Halls" reviewed by Mark Corroto

by Mark Corroto

There is an old soul lurking in the body of guitarist Johan Lindström. I mean both the body corporal and his guitar body. His septet recording Music For Empty Halls draws the ear back to a time when music was less rushed and much more thoughtful. He's assembled a collection of compositions in a most considerate ...

1

Article: Album Review

Peter Brötzmann, Steve Swell, Paal Nilssen-Love: Live In Tel Aviv

Read "Live In Tel Aviv" reviewed by AAJ Staff

by AAJ Staff

Un altro tassello si aggiunge alla già corposa discografia del sassofonista tedesco Peter Brötzmann, il terzo insieme a questo trio con il trombone di Steve Swell e la batteria di Paal Nilssen-Love. Rigorosamente dal vivo, catturato nel momento in cui questa materia incandescente viene lavorata dai tre musicisti. Un rituale sonoro ...


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