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Sjøen: Live I
by Eyal Hareuveni
Sjøen (sea in Norwegian) is a new, Norwegian-Swedish quintet with a debut that was recorded during their first-ever concert, at the Energimølla club in Kongsberg, Norway, in April 2013. Obviously, it would not have been possible without the promising, young musicians that band leader and violinist Håkon Aase gathered. Each of them also play in other ...
Håkon Stene: Lush Laments for Lazy Mammal
by Eyal Hareuveni
Lush Laments for Lazy Mammal is an exception in the catalogue of the Norwegian label, Hubro Music, but so is the art of percussionist Håkon Stene. Unlike other releases of the acclaimed label, the music does not draw inspiration from improvised music, modern jazz or fusion, prog and post-rock, but it offers distinct meditative compositions by ...
Hot Four: Eye of the Moose
by Eyal Hareuveni
The Norwegian-Swedish quartet Hot Four was founded by Norwegian vocal artist Andreas Backer as a vehicle for free-minded, free- improvised, free-chamber textures that float, obviously freely, between elements inspired by European influences, modern jazz and contemporary classical music. Backer wisely chose fearless, experienced and highly versatile improvisers--Norwegian drummer Ståle Liavik Solberg, who studied with him in ...
Dave Rempis / Lasse Marhaug: Naancore
by Eyal Hareuveni
Naancore adds another chapter to the Chicago-Oslo musical axis. This limited edition LP (offered also as a digital download) brings together one of the most original Norwegian musicians, noise master Lasse Marhaug with one of Chicago's most active saxophonists Dave Rempis. The two like-minded, fearless musicians collaborated before in Ken Vandermark's Territory Band, when Marhaug guested ...
sPacemoNkey: The Karman Line
by Eyal Hareuveni
sPacemoNkey is the duo project of Norwegian keyboards player Morten Qvenild, known from other innovative Norwegian bands as In The Country, Susanna and the Magical Orchestra and by his continuous work with vocalist Solveig Slettahjell, and drummer Gard Nilssen, one of the busiest musicians in the vibrant Norwegian scene, who plays in such outfits as Bushman's ...
Håkon Storm: Fosfor
by Eyal Hareuveni
Norwegian guitarist Håkon Storm's sixth album Fosfor features his artistic mastery of the solo guitar. Storm is a gifted storyteller. His evocative, melodious lines intensify the expressive, poetic playing style that is often exploratory, suggesting exotic soundscapes. Storm uses a variety of guitars that allow him to stress distinctive originality as a composer and improviser. The ...
Hayden Powell: Roots and Stems
by John Kelman
For those who think the Norwegian jazz scene is all about electronics, sampling and processing (not that there's anything wrong with that), one look at Hayden Powell, born in England but relocated to Norway as a young child, and any such accusations and generalizations are quickly put to rest. A trumpeter on the ascendance with Magic ...
Christian Wallumrod Ensemble: Outstairs
by Vic Albani
Stabile abitante del sottobosco ECM da oltre tre lustri, Christian Wallumrød è davvero un musicista peculiare che usualmente sfugge all'analisi profonda di molte penne dell'universo della critica internazionale. Probabilmente (e, per fortuna, ci piacerebbe aggiungere) perché da almeno un ventennio riesce sistematicamente a sfuggire dall'orripilante mania dell'etichettatura. Per sfortuna sua, nei tempi moderni, questo è quasi ...
Ola Kvernberg Trio: Northern Tapes
by John Kelman
It's been three years since Ola Kvernberg released the ambitious Liarbird (Jazzland, 2011), a studio document of his 2010 Molde International Jazz Festival commission where guest Joshua Redman was recruited for the live performance, but where, far more than a ringer for Kvernberg, Redman was clearly awestruck by this virtuosic young violinist/composer. It's not that Kvernberg ...
Arve Henriksen: Chron | Cosmic Creation
by John Kelman
Despite the suggested evidence of 2008's Cartography (ECM) and 2013's follow-up, Places of Worship (Rune Grammofon), trumpeter Arve Henriksen's career has not only been about the intrinsic--and deeply personal--lyricism that defined those recordings, as well as the three Rune Grammofon recordings that preceded them--2007's Strjon, 2004's Chiaroscuro and 2001's Sakuteiki, those three recordings collected in the ...
