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Results for "Oscar Pettiford"
Erik Friedlander: Oscalypso
by Vincenzo Roggero
Quattro rappresentanti della storica scena downtown newyorchese si riuniscono negli studi East Side Sound di quella città e registrano un disco tributo all'Oscar Pettiford violoncellista. Nove brani mostrano senza veli l'eleganza, lo swing, il senso melodico, la precisione della scrittura di Pettiford, con il quartetto di Erik Friedlander che asseconda pienamente queste caratteristiche esaltandole e personalizzandole ...
Zappa and Jazz: Did it Really Smell Funny, Frank?
by Geoffrey Wills
The following is an excerpt from “Chapter 2: Early Encounters with Jazz" of Zappa and Jazz: Did it Really Smell Funny, Frank? by Geoffrey Wills (Matador, 2015). When, at the age of fourteen, Zappa entered Mission Bay High School in San Diego in 1955, his first exposure to the elitist snobbery of a ...
Jennifer Leitham: Mood (S)wings
by Jack Bowers
One of the rules of thumb in jazz is that hardly anyone ever looks forward to a bass solo. Rules, however, were made to be broken, and a case in point is multi-talented Jennifer Leitham whose solos on Mood (S)wings are nimble, well-crafted and consistently engaging--in other words, worth looking forward to. Not that anything less ...
Paris Jazz Diary 2015: Saxophonists Lew Tabackin, James Carter, Craig Handy
by Patricia Myers
Lew Tabackin, James Carter, Craig Handy Sunside-Sunset/Duc des Lombards Paris, France July 8, July 11, July 12, 2015 Getting great sax in Paris was a sure thing this summer with three American tenor titans Lew Tabackin, James Carter and Craig Handy performing within three soul-satisfying weeks. In the fewest words: Tabackin ...
Sonorama: New Treasures from the Past
by Jakob Baekgaard
To find a forgotten record is often part of the pleasure and path of the dedicated record collector. Looking for the right record becomes a journey where flea markets and other strange places are examined, but it is also about having the right connections. Ekkehart Fleischhammer is not only an expert in finding the recorded treasures ...
Curtis Fuller: The Opener – Blue Note 1567
by Marc Davis
From the very first notes, it's obvious that Curtis Fuller's The Opener is something completely different. Yes, it's bop. Yes, it features the usual lineup of two horns, piano, bass and drums. And yes, one of those horns is saxman Hank Mobley, who, by law, was required to appear on every single Blue Note ...
Rare and Unusual Instruments in Jazz
by Hrayr Attarian
Historically the cornet was the quintessential jazz instrument but over a century of its evolution other instruments have also become part of the regular jazz armamentarium. These include common ones such as the piano, saxophone, bass and drums to the more occasionally appearing violin, clarinet and other percussion instruments. There are few, however, that exhibit unique ...
Glenn Zottola: A Jazz Life - Hollywood, the World and the Stars
by Nicholas F. Mondello
Part 1 | Part 2 | Part 3 World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, “musical natural" and aural savant also percolate rapidly to mind. Now ...
Glenn Zottola: A Jazz Life - The Early Years
by Nicholas F. Mondello
Part 1 | Part 2 | Part 3 World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, “musical natural" and aural savant also percolate rapidly to mind. Now ...
Band Ambition: Sherrie Maricle and Diva
by Richard J Salvucci
In the iconic photo A Great Day in Harlem (1958), bandleader and pianist Count Basie has taken a seat on the curb. Eleven neighborhood kids and one ringer, Taft Jordan Jr, are seated single file to Basie's right. Marian McPartland and Mary Lou Williams stand behind the kids, chatting. They are bookended, appropriately, by Oscar Pettiford ...
