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362

Article: Album Review

Bruce Barth / Steve Wilson: Home

Read "Home" reviewed by Larry Taylor


The increase in house concerts throughout the country is apparent, taking place in big cities like Los Angeles, San Francisco and Baltimore, as well as in smaller towns such as Columbia, Missouri, where this recorded duo date took place. Appearing at the home of Barbara Tellerman and Allyn Sher in 2009, pianist Bruce Barth and saxophonist ...

823

Article: Interview

Bill Carrothers: See the Piano, Play the Piano

Read "Bill Carrothers: See the Piano, Play the Piano" reviewed by Dan McClenaghan


"I want to keep my fingers in a state of chaos...I try to keep my fingers stupid."----Bill Carrothers, jazz pianist. The quest for chaotic and stupid finger seems an unusual one for a jazz pianist. But then, a conversation with Bill Carrothers reveals an unusual man; one who is to-the-point and forthright ...

731

Article: Profile

In Memoriam: Herb Ellis (1921-2010)

Read "In Memoriam: Herb Ellis (1921-2010)" reviewed by AAJ Staff


I met Herbie way before he joined Oscar Peterson, going back to at least 1953. Herb worked for me, and he also recorded with me a few times. He worked with me on the Steve Allen show--he and Barney Kessel would take turns. There was also a group with Buddy DeFranco and a tribute to Benny ...

290

Article: Album Review

Hans Backenroth: Bassic Instinct

Read "Bassic Instinct" reviewed by Chris Mosey


Attempts to free the double-bass from its role as purely a rhythm instrument began in 1939, when Jimmy Blanton, a young bassist from St. Louis, joined the Duke Ellington Orchestra. For the next two years, until Blanton's tragic death from tuberculosis, he and Duke did things with the instrument that had never been done before. The ...

299

Article: Album Review

Mike Longo Trio: Sting Like A Bee

Read "Sting Like A Bee" reviewed by Marcia Hillman


Sting Like A Bee is pianist Mike Longo's follow-up to his well-received Float Like A Butterfly (Consolidated Artists Productions, 2008). Bassist Bob Cranshaw and drummer Lewis Nash join him, and this CD is so laidback and relaxed that it comes as no surprise to read in the liner notes that there was no need to listen ...

615

Article: Big Band Report

Sonny Rollins Elected as Member of American Academy of Arts & Sciences

Read "Sonny Rollins Elected as Member of American Academy of Arts & Sciences" reviewed by Jack Bowers


This month's most welcome news has nothing to do with big bands but everything to do with artistry and excellence: saxophonist and jazz icon Sonny Rollins has been elected to membership in the American Academy of Arts & Sciences. The Academy, a center for independent policy research (I don't quite understand what that has to do ...

388

Article: Album Review

Jon Gold: Brazil Confidential

Read "Brazil Confidential" reviewed by Jerry D'Souza


Jon Gold is a fluid and lyrical pianist with a deft approach, who lets his ideas flow with facile ease. His artistry is not surprising, given that his early influences were classical composers like Ravel, as well as jazz pianists Oscar Peterson and McCoy Tyner. He was entranced enough by Tyner to learn almost all of ...

810

Article: Old, New, Borrowed and Blue

Keeping Up With The Joneses: The Jones Name In Jazz

Read "Keeping Up With The Joneses: The Jones Name In Jazz" reviewed by Dan Bilawsky


"What's in a name?"This question, written by Shakespeare and spoken from the mouth of his Juliet, really touches on an important line of thought. Juliet continued and said, “That which we call a rose by any other name would smell as sweet." While she was dealing with the Montague/Capulet issue, she sought to downplay ...

993

Article: Extended Analysis

Oscar Peterson: Debut: The Clef / Mercury Duo Recordings 1949-1951

Read "Oscar Peterson: Debut: The Clef / Mercury Duo Recordings 1949-1951" reviewed by Ken Dryden


Oscar PetersonDebut: The Clef / Mercury Duo Recordings 1949-1951Verve Music Group2010 Piano giant Oscar Peterson's professional career spanned approximately 60 years and produced a prolific amount of recordings, though most of what he waxed during his first two decades was for labels launched by jazz impresario Norman Granz. But Peterson's ...

228

Article: Album Review

Dan Dean: 2 5 1

Read "2 5 1" reviewed by Dan McClenaghan


Bassist Dan Dean is no stranger to the format of the intimate duo. His teaming with vibraphonist Tom Collier on the superb and aptly titled Duets (Origin Records, 2005) was a bright sparkling gem of a recording. On 2 5 1 he goes for a broader exploration of that sound, pairing up with four of his ...


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