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Video

MPS - The German Jazz Icon

Featuring the music of Oscar Peterson
Duration: 2:17

For some MPS might feel like a treasure trove that had to be dug up from the twilights of Germany’s Black Forest. With diversity, courage, and quality as the trademarks of the label, founder Hans Georg Brunner-Schwer achieved world-wide renown as Germany’s first jazz label. A Mecca for international jazz stars like Oscar Peterson, George Duke, The Singers Unlimited and a host of talented young European discoveries.
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News: Music Industry

The MPS Records legacy resumes with vinyl releases of Ella Fitzgerald’s 'Sunshine Of Your Love' and Freddie Hubbard’s'The Hub of Hubbard'

The MPS Records legacy resumes with vinyl releases of Ella Fitzgerald’s 'Sunshine Of Your Love' and Freddie Hubbard’s'The Hub of Hubbard'

Jazz history was forged in the rustic Black Forest of Germany in 1968 when Hans Georg Brunner-Schwer launched MPS Records and recorded some of the genre’s seminal artists. Legends like Ella Fitzgerald, Dizzy Gillespie, Oscar Peterson, Dexter Gordon, Freddie Hubbard, The Count Basie Orchestra and George Duke released albums on the prestigious label known for its ...

News: TV / Film

Documentary: Oscar Peterson

Documentary: Oscar Peterson

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Article: Extended Analysis

The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66

Read "The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66" reviewed by Skip Heller


Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately ...

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Article: Album Review

Lorne Lofsky: This Song Is New

Read "This Song Is New" reviewed by Friedrich Kunzmann


The liner notes to This Song is New explain how the term “old school" suits guitarist Lorne Lofsky just fine. Not in its pejorative sense, but rather in the spirit of a master of an old art, now considered to be quaint. It is indeed a fitting description for the compositions and performances that constitute the ...

News: Recording

Oscar Peterson: Girl Talk

Oscar Peterson: Girl Talk

As JazzWax readers know, I'm fairly picky about my Oscar Peterson albums. I find the pianist most spectacular when the song choices are spot-on and he's completely in the pocket and swinging. In other words, when I suddenly realize my right foot is tapping. Girl Talk is one of those Peterson albums. The second volume in ...

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Article: SoCal Jazz

John Patitucci: The Quintessence of Acoustic and Electric

Read "John Patitucci: The Quintessence of Acoustic and Electric" reviewed by Jim Worsley


John Patitucci had his life's work in mind at age twelve, At a time when most of us were worried about junior high school and pimples, Patitucci concluded that he was to be a professional musician. This was no typical young boy fantasy of playing center field for the Yankees, being an astronaut, or even being ...

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Article: Album Review

Jeremy Monteiro: Live at No Black Tie

Read "Live at No Black Tie" reviewed by Pierre Giroux


Kuala Lumpur (capital of Malaysia) is not on the tip of everyone's tongue as a jazz audience or recording destination. However that might be under reconsideration with the release of Live At No Black Tie , a live trio session headed by Singapore pianist Jeremy Monteiro, accompanied by two American jazz notables, bassist Jay Anderson and ...

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Article: Take Five With...

Take Five with Will Lyle

Read "Take Five with Will Lyle" reviewed by AAJ Staff


Meet Will Lyle Born in Southern California, Will began studying cello when he was three and also played drums, guitar, piano and percussion, taking up the electric bass at the age of 12. “I had aspirations to become a producer and I originally went to Berklee for musical production, but during my freshman year I heard ...

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Article: Building a Jazz Library

Instrumental Duos

Read "Instrumental Duos" reviewed by Karl Ackermann


The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...


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