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Tim Berne's Snakeoil: The Fantastic Mrs. 10
by Dan McClenaghan
Saxophonist Tim Berne figured out what he wanted to do early on, with albums like Ancestors (Soul Note, 1983), Nice Winter ( Winter & Winter, 1993), Science Friction (Screwgun, 2002) and Snake Oil (ECM Records, 2012)—to pick one representative recording per decade from a jam-packed discography. “I'm doing the same thing I've been doing from the ...
Tim Berne's Snakeoil: The Fantastic Mrs. 10
by Mark Corroto
Imagine Tim Berne as the lead in the 1980's' American television series The A-Team, declaring: “I love it when a plan comes together!" He must return to that catchphrase every time his ensemble Snakeoil finishes a recording. After four outings on Manfred Eicher's ECM Records, the previous being Incidentals (2017), he moves his A-Team to Intakt ...
Results for pages tagged "Oscar Noriega"...
Oscar Noriega
Multi-instrumentalist and composer, Oscar lives in Brooklyn since 1992. He has worked with Lee Konitz, Anthony Braxton, Gerry Hemingway, Dewey Redman and Paul Motion. He is currently performing with Tim Berne’s Snakeoil, Endangered Blood (Chris Speed, Jim Black, Trevor Dunn) and colead with Jacob Garchik, the Mexico-inspired Banda De Los Muertos. He plays alto saxophone, clarinet, bass clarinet and drums.
Satoko Fujii Orchestra New York: Entity
by Karl Ackermann
As she did in 2019, pianist/composer Satoko Fujii—an artist at home in many formations—opens the new decade with an orchestra recording. Entity, from Fujii's Orchestra New York, is the eleventh release from the ensemble that has remained largely intact for almost twenty-three years. It is an all-star collective that includes saxophonists Oscar Noriega, Ellery Eskelin and ...
New releases and a special focus on albums from Diane Roblin and Chelsea McBride
by Bob Osborne
Another show packed with new music with a focus on new releases from Diane Roblin and Chelsea McBride. Diane Roblin's spirited debut release Reconnect made the jazz charts and received airplay around the globe. Now she offers a second album of high energy music from the heart entitled Life Force featuring an explosive six piece band. ...
Gordon Grdina, Karl Berger & Jason Kao Hwang, Byron Asher & Colin Hinton
by Maurice Hogue
Vancouver's Gordon Grdina is masterfully adept at guitar and oud, so that flexibility leads to many possibilities for playing opportunities, from jazz and improv settings to his world music group, Haram. This episode finds Grdina opening things up with music from two very recent recordings: Skin and Bones (with Matthew Shipp and Mark Helias) and Cooper's ...
Gordon Grdina: Cooper's Park
by Mike Jurkovic
Cooper's Park's eighteen minute centerpiece crashes into energetic existence sounding like someone just remembered to push record while the ensemble was in high flight mid jam. Flailing majestically away, guitarist Gordon Grdina, alto saxophonist/bass clarinetist Oscar Noriega and pianist Russ Lossing are heard early working overtime on every level from solo to tag-team tandem, giving, taking, ...
Bass Is the Place!
by Ludovico Granvassu
Where do rhythm and harmony intersect? Where do you feel the beat, not just with your ears but your whole body? Bass is the place where it all comes together. This week we celebrate some beloved jazz bass players, from riveting soloists to groundbreaking composers and consummate sidemen. Ben Allison “Mondo Jazz Theme ...
Gordon Grdina: Inroads
by Neri Pollastri
Nuova formazione per il canadese Gordon Grdina, un quartetto nel quale la sua chitarra sostituisce il più tradizionale basso e che hai in Oscar Noriega --ben noto per le sue collaborazioni con Tim Berne --la voce principale. I brani in programma sono tutti della penna di Grdina, anche se due in collaborazione proprio con Noriega.
L'eclettismo di Satoko Fujii
by Neri Pollastri
Mentre è uscito Solo, primo dei ben dodici album che Satoko Fujii ha annunciato per il 2018, anno in cui compirà sessant'anni, ci occupiamo qui di tre dei numerosi ed eccellenti lavori da lei pubblicati nel 2017, che ne illustrano particolarmente la poliedricità: nel primo infatti Satoko non è al pianoforte, bensì alla fisarmonica; nel secondo ...
