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Growing Older Jazzfully
by Peter Rubie
So there I was the other day, taking a yoga lesson, trying to loosen my aching muscles. I'm at that age where it aches if I do exercise, and I stiffen if I don't. The instructor was a young woman with the flexibility of a baby who can suck her own toes. She asked us to ...
Troy Roberts: Nu-Jive Perspective
by Mike Jurkovic
Though still a pup age-wise, Australian-born saxophonist Troy Roberts has two Grammy nominations under his belt and has shared the stage and studio with luminaries that have defined the musical spectrum, including Aretha Franklin, Van Morrison, Joey DeFrancesco, Christian McBride, Orrin Evans, and Dee Dee Bridgewater. Nu-Jive Perspective, his eighth disc as leader and third with ...
Origin Records: Creating Opportunities and Community
by Jakob Baekgaard
Being a jazz musician sometimes seems like a life ruled by jungle law. Everyone fights for gigs and puts out music on “labels" with only one artist. However, it doesn't have to be this way. Origin Records is an example of a modern artist driven label that has grown through collaboration and community. As Matt Jorgensen, ...
Jazzkaar 2018
by Martin Longley
Jazzkaar 2018 Tallinn, Estonia April 20-29, 2018 In the year of Estonia's celebrations, having attained a full century as a Republic, its Jazzkaar festival continues to be amongst the very best of the European range. Held annually in Tallinn, and primarily centred around the Telliskivi Creative City, the festival continued ...
Bongwool Lee: My Singing Fingers
by Paul Rauch
Much has been written about the different creative processes engaged between classical and jazz musicians, more specifically, as applied to the collective worlds of jazz and classical piano. New York based pianist Bongwool Lee has an intimate relationship with these perceived differences. Born and raised in Seoul, Korea, she was exposed by her parents to a ...
A Six-String Travelogue
by Geno Thackara
Leni Stern 3 Leni Stern Recordings 2018 If it's an exaggeration to say that Leni Stern's gone native after her life-shaping time in Senegal, it's probably not by much. 3 isn't the result of merely studying and and learning a few new forms, but an unrestrained immersion in the life and ...
Stafford Hunter: Continuum
by Paul Rauch
Stafford Hunter is known as a trombonist who grew out of the modern paradigm set by Steve Turre. He also shares a unique quality with Turre, in that he is an expert player of conch shells in the jazz idiom, joining him in the ensemble, Steve Turre and Sanctified Shells. While this tie with ...
Josh Lawrence: Contrast
by Thad Aerts
On Contrast, Josh Lawrence and Color Theory's second recording for Posi-Tone, the group executes a classic framework held together with tight chemistry. Lawrence may be the leader, but the gist of the end product is a very democratic arrangement where no one musician or group of musicians takes precedence. Each shine at various times throughout Contrast. ...
Josh Lawrence & Color Theory: Contrast
by David A. Orthmann
Josh Lawrence & Color Theory's Contrast features a host of varied, sturdy and invigorating compositions by the leader, an ensemble that plays them with élan, a number of arresting soloists, and a rhythm section that rapidly moves between sly and rambunctious. While all of these factors are important, they don't adequately capture the record's essence. Perhaps ...
Josh Lawrence & Color Theory: Contrast
by Paul Rauch
Trumpeter Josh Lawrence has had a long and diverse trek to where he is now. Beginning in his native New Jersey, he has embraced jazz culture in Philadelphia, Europe, and finally New York City, where he has gained a solid reputation as a musician, bandleader, and composer. On his second release for the Posi-Tone ...
