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David Weiss: Memories of Freddie Hubbard
by David Weiss
Noted trumpeter, composer, and New Jazz Composers Octet founder, David Weiss shares several stories about his experience with trumpet legend Freddie Hubbard. As told to David Kaufman. I met Freddie Hubbard soon after he damaged his lip. I guess what basically happened was he had a blister on his lip that popped and got ...
Bobby Bradford/Hafez Modirzadeh/Mark Dresser/Alex Cline: Live At The Open Gate
by John Sharpe
Veteran cornetist Bobby Bradford's penchant for conversational give and take in tandem with another horn is much in evidence on this 2013 live date from The Center for the Arts in Los Angeles. And in alto saxophonist Hafez Modirzadeh, a Professor of Creative/World Music at San Francisco State University, he has found a foil who at ...
Nacka Forum: We Are The World
by Mark Corroto
Doom and gloom begone, now for some serious fun. Nacka Forum is back with their fifth recording. The Swedish/Danish quartet cherry picks the biography of jazz for the juiciest and sweetest music, combining systems and methodologies from Ornette Coleman to Sun Ra to create a high-spirited concoction of jazz entertainment. Spinning We Are The ...
David Smith Quintet: Impetus
by Luigi Sforza
La registrazione analogica di Impetus -terzo disco del David Smith Quintet -valorizza pienamente gli aspetti performativi del gruppo conferendo al sound un respiro “naturale," in cui la musicalità si abbina alla precisione esecutiva e l'ariosità delle melodie dà spunto ad ispirati parti solistiche. La band guidata dal trombettista canadese David Smith, naturalizzato newyorkese, sa inanellare ...
Cortex: Live in New York
by Mark Corroto
Do you remember when you first heard Ornette Coleman's The Shape Of Jazz To Come (Atlantic, 1959)? It could have been fifty years ago or five, but its life force remains. Its music was/is nearly impossible to ignore. The same can be said of the Norwegian quartet Cortex's Live In New York. It sizzles with a ...
John Coltrane: The Atlantic Years in Mono
by C. Andrew Hovan
Much has been made lately in audiophile circles about whether mono or stereo versions of vintage back catalog items best represent the truest form of the music. Of course, back before stereo was widely accepted and available to most consumers, monophonic was the only way to go. Stereo allowed for more choices in placement of the ...
Logan Strosahl: Up Go We
by Budd Kopman
Duke Ellington famously said, There are two kinds of music. Good music, and the other kind". Creative Improvised Music really has no boundaries, and there is virtually nothing that cannot influence the final result. It is quite possible for the adventurous listener to play a different album every day for a decade and never hear a ...
Meet "Jazz Judy" Judy Balos
by Tessa Souter and Andrea Wolper
“Jazz Judy" Balos has earned her nickname. A live music fan since the age of 16 when she saw Nina Simone in concert, this New Yorker has been going out to hear live jazz four or five times a week (sometimes even two or three times a day) for over 50 years; she's even traveled to ...
Winston Byrd: Once Upon a Time Right Now
by Nicholas F. Mondello
"Once Upon A Time" usually prefaces a fairy tale, Aesopian fable, or, a Hollywood action movie. While no tale of witches, Princess Brides, or cigar-chomping cowboys, this recording from trumpeter Winston Byrd and his magnificent more-than-seven is an overall right now hoot. An aural feast where Byrd is Exec Chef, the production delivers superbly-performed ...
Damión Reid: On Drum Artistry, The Robert Glasper Trio, and Beyond
by K. Shackelford
International drummer Damión Reid has crafted a style that is inimitable without sacrificing the ardor of modern jazz and its traditional stylistic approaches to drumming. Listening to Reid is like a history lesson on the drum--he can play everything with artful dexterity from Be-Bop to Hip Hop. Adrian Kirchler, owner of AK drums, was ...
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