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Ben Goldberg, Jason Robinson, Orchestre National De Jazz and More
by Maurice Hogue
This episode is a little “reed" heavy with debuts of new recordings by Jason Robinson and his quartet, Ben Goldberg and Kenny Wollesen's Music for an Avant-Garde Massage Parlor, Portugal's José Lencastre, Rachel Musson from England, and I.P.A. from Scandinavia, plus several other saxophonically inclined folks. The Orchestre National De Jazz from France tackles the music ...
Stratusphunk: The Life and Works of George Russell By Dr. Duncan Heining Available through Amazon Worldwide
Stratusphunk is the story of remarkable musician and a remarkable man. Through his ideas and music, composer, theorist and musician George Russell joins the dots in modern jazz from bebop, though modal and free jazz and into jazz rock. It is hard to imagine another artist, who was both so influential but also so misunderstood. For ...
James Brandon Lewis: Molecular
by Dan McClenaghan
Saxophonist James Brandon Lewis offers up an introductory statement in the album packaging as a preface to the liner notes of Molecular. His train of thought is difficult to follow. He leaves an impression of not being a “normal" person, in the best possible sense of that assessment. It is the impression of a deep-thinking artist ...
Michael Cuscuna: In The Vault Playing God
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in December 2000. Michael Cuscuna is one of the most important figures in the jazz reissue field today. He has been responsible for hundreds of releases for many companies, and he was fortunate to meet and befriend Alfred Lion during the final ...
Johanna Burnheart: Burnheart
by Chris May
The violin has an eventful history in jazz. But it is still a niche instrument, despite a line of singular players stretching back to Stephane Grappelli and Stuff Smith (who deserves some bonus points for composing the immortal “If You're A Viper"). There are no schools of jazz violinists, simply a succession of one-off stylists, with ...
Take Five with TRi/O's Steve Shapiro, Dave Anderson and Tyger MacNeal
by AAJ Staff
Meet TRi/O TRi/O is a collaborative groove-based contemporary jazz & funk outing from three New York musicians: Steve Shapiro on vibraphone and mallet keyboards, virtuoso 5-string bassist Dave Anderson, and drummer Tyger MacNeal. Their combined credits comprise a long list of major jazz and pop artists—including Steely Dan, Ornette Coleman, Phil Collins, Spyro Gyra, Whitney Houston, ...
Matt Wilson Quartet: Hug!
by Jerome Wilson
A hug is something which is a distant memory for most of us these days. The warm and friendly vibes of this new Matt Wilson album could be thought of as a virtual hug, full of smile-inducing swing and raffish humor. Wilson's partners on this excursion are some of his usual cohorts, saxophonist Jeff ...
Deerhoof: Love-Lore
by Troy Dostert
"Where, in short, are the flying cars?" So asked David Graeber in 2012, in a widely-circulated essay entitled “Of Flying Cars and the Declining Rate of Profit." Graeber, an anthropologist of a decidedly unconventional bent, dedicated much of his academic career to challenging preconceived wisdom concerning the allegedly unlimited potential of capitalist economics and its attendant ...
Josephine Davies: Way Out East: New Directions In Jazz
by Chris May
Compared to many other bands which have emerged on London's revitalized jazz scene since the mid 2010s, saxophonist and composer Josephine Davies' trio Satori has attracted relatively little noise. This may be because, unlike most of its contemporaries, Satori is not infused with dancefloor-friendly grooves. Davies instead looks to Eastern culture, particularly to Buddhist texts and ...
Richie Beirach: Exploring Who Matters Most Among the Jazz Pianists
by Victor L. Schermer
[The following is a commentary on pianist Richie Beirach's 2020 e-book The Historical Lineage of Modern Jazz Piano: The 10 Essential Players (Conversations between Richie Beirach and Michael Lake), downloadable for free here.] Jazz piano has always garnered (no intended reference to Erroll Garner) special interest among the instruments because it is truly an ...
