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Jazz Guitarist Joe Morris Does It His Way
By Tad Hendrickson A jazz artist who balances a sharp ear for melody with an intellect inspired by improvisation's outer reaches, Joe Morris is part of a community of musicians who play what has been called the downtown jazz, avant-garde, free jazz or even just free music scenes. Since he began performing on guitar in 1975, ...
Pat Metheny: One Quiet Night
by John Kelman
Guitarist Pat Metheny has, over the past couple years, been reissuing his Geffen-era albums, with and without his flagship Pat Metheny Group. These Nonesuch releases have all benefited from improved sonics and, in the case of Song X (1985), a well-needed remix and the addition of six tracks, completely altering the arc of this classic collaboration ...
Jonathon Haffner: Life on Wednesday
by Dan McClenaghan
Alto saxophonist Jonathon Haffner's band on Life on Wednesday puts up a united front, sounding as integrated as the internal workings of a utilitarian, high horsepower industrial machine. But that machine has some grit in its innards on the set's opener, “Time Time," with a rasp of Wayne Krantz' metallic guitar paired with Craig Taborn's Wurlitzer ...
Joan A. Cararach: el 'maestro' de Barcelona
by Joao Moreira dos Santos
Fundado por Joan Roselló en 1966, el Festival de Jazz de Barcelona ha ido renovándose y evolucionando con múltiples avatares desde entonces, pero la edición de este año es verdaderamente especial. No sólo desafía la crisis económica, presentando más conciertos que nunca (60 en casi dos meses), sino que además, por primera vez, se clausura en ...
The State of the Trombone 2009: Steve Davis and Luis Bonilla
by C. Michael Bailey
Jazz offers ample opportunity to hear diametrically opposed ideas and approaches coming from similar ensembles (and sometimes the same ensemble, as with saxophonist John Coltrane). Consider, on one side, the middle-of-the-road, mainstream, standards jazz made early on by trumpeter Miles Davis and the free jazz of saxophonist Ornette Coleman. The trombone has had players in both ...
Paul Giallorenzo: Get In To Go Out
by Mark Corroto
Pianist Paul Giallorenzo locates the jazz he makes with his quintet somewhere in the early 1960s, when post-bop was getting ready to explode into free jazz and its pioneers were rooted in swing, but thinking outward thoughts. Eric Dolphy's Out To Lunch (Blue Note, 1964), Ornette Coleman's Tomorrow Is The Question (Contemporary, 1959), and Andrew Hill's ...
Marty Ehrlich: Things Have Got To Change
by Stuart Broomer
The clarity that's so immediately apparent in Marty Ehrlich's alto sound permeates his work, so that there's a quality at once naked and luminous in the music heard here. The quartet with trumpeter James Zollar, cellist Erik Friedlander and drummer Pheeroan akLaff and the concept harkens back to the early Ornette Coleman Quartet, each member committed ...
Joe Morris: Today On Earth
by John Sharpe
Joe Morris holds a unique position in creative music, meriting the top drawer on both guitar and bass, wielding the former in David S. Ware's resurgent company on Shakti (AUM Fidelity, 2009), and the latter on Wildlife (AUM Fidelity, 2009). For his third outing on the same imprint in 2009 Morris returns to guitar for what ...
The Story Of Jazz Saxophone
by AAJ Staff
For some, the saxophone is the sound of jazz. The unique fusion of brass and woodwind that is the sax found an electrifying vibrato in the hands of jazzmen that truly changed the world. The pale “pure" tone of the instrument, as first used in classical compositions, vanished in a musical blast of slurs ( Coleman ...
Taylor Ho Bynum & Spidermonkey Strings: Madeleine Dreams
by Ivana Ng
Madeleine Dreams is about as odd as the novel upon which it is based. Taylor Ho Bynum and SpiderMonkey Strings weave deftly through the magical realism of Madeleine is Sleeping, a novel written by Bynum's sister Sarah Shun-lien Bynum. Vocalist Kyoko Kitamura flows through the divide between dream and reality with grace. She ...
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