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"Chaography": A New Kind of Jazz Film To Be Made
by R.J. DeLuke
Who wants to see a movie about jazz musicians that tells a good story, accurately portrays the lives of musicians and contains good, happening music? Show of hands not necessary. Skepticism understood, based on past history. Yet that's exactly the lofty goal of young filmmaker Doug Chang, a jazz fan who is ...
Rodrigo Amado: Motion Trio
by Clifford Allen
Abstraction is too often both separated from and associated with improvised music. Either sounds are divorced from meaning outside themselves, or expected to tell some sort of story. Neither euphemism really works that well. But image is a central fact of Portuguese improviser Rodrigo Amado's work, whether referring to the representational or nonrepresentational--after all, in addition ...
Sam Newsome: Blue Soliloquy
by C. Michael Bailey
The soprano saxophone is one mean mistress; temperamental, demanding, and unforgiving. Few have mastered her, with Sidney Bechet, John Coltrane, and Steve Lacy coming to mind. Saxophonist Sam Newsome,late of the Terence Blanchard Quintet, has stepped up to provide his Das Wohltemperierte Klavier of the instrument in Soliloquy--Solo Works for Soprano Saxophone. Strongly recalling Bobby Watson's ...
Nik Turner: Bringing the Music to the People
by Jack Gold-Molina
Nik Turner is perhaps best known as the founding saxophonist and flautist for pioneering “space rock" band Hawkwind. As well as contributing to the profound influence that this band has had on rock and punk with its focus on community and grassroots movements--including its many benefit shows and long-standing support of England's free festivals, Turner may ...
Alonzo Holliday: The Archaeology of Out-Bop
by Gordon Marshall
Frank Turek's dream: he is in a smoky bar where jazz floats in the background. Coming up to sit down next to him is a hip, old cat who begins to tell him stories of playing sax in bands in the early '40s. He introduces himself as Alonzo Holliday. Back to waking life, in the '90s: ...
Mostly Other People Do The Killing: Forty Fort
by Raul d'Gama Rose
Several wonderful things distinguish Mostly Other People Do The Killing (MOPDtK) from almost any other band playing today in the long shadows of Thelonious Monk and Ornette Coleman. These are, in no particular order: a wild humor; an extreme sense of the angular melody; brave harmonies; and a leaping sense of rhythm. None of these pay ...
Rodrigo Amado: Motion Trio
by Mark Corroto
Listening to saxophonist Rodrigo Amado, while knowing that he is also an accomplished professional photographer, lends insight into his sound and sense of proportion. His trio members, cellist Miguel Mira and drummer Gabriel Ferrandini, share his recognition of arrangement, distribution, and music-making dimensions. Motion Trio is a freely improvised recording possessing balance. Amado's previous ...
The Albuquerque Jazz Orchestra Meets Fred Sturm
by Jack Bowers
The Albuquerque Jazz Orchestra was onstage January 23, 2010 at the University of New Mexico's Woodward Hall for a concert featuring the compositions and arrangements of Fred Sturm, director of Jazz Studies at Lawrence University in Appleton, Wisconsin. The concert was a part of the New Mexico All-State Band Competition, which was being held at the ...
Jeff Dayton-Johnson's Best of 2009
by Jeff Dayton-Johnson
Jazz Man of the Year honors go without a doubt to Rafael Gilbert of Spain, who attended a performance by Larry Ochs of the ROVA Saxophone Quartet at the Sigüenza Jazz Festival in December, and called the police to report that, whatever it was that Ochs was playing, it wasn't jazz. Ochs was asked to play ...
Greg Osby: A Candid Conversation
by Lloyd N. Peterson Jr.
I have found that with forward-thinking artists, their music can be a direct reflection of who they are. That's largely my interest in these very creative individuals--in how they think and how they view the world through their own eyes. Greg Osby is fearless in expressing his convictions, and I think you'll find that his compositions ...
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