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Steve Khan: The Making of "Parting Shot"
by Steve Khan
The term, “parting shot" can certainly be interpreted in any number of ways. Perhaps for most of us, it would be best defined like this: “a threat, insult, condemnation, sarcastic retort, or, gesture delivered while departing." I choose to view it as the latter, thinking of a light punch to the shoulder as the final gesture! ...
Steve Khan: Parting Shot
by John Kelman
Evolution is one of those things where an artist either gradually shifts direction, or makes sudden quantum leaps. Guitarist Steve Khan has done both in a career dating back four decades, and the first of three hot fusion records for Columbia as a leader, Tightrope (1977), that fit firmly in The Brecker Brothers camp, but, with ...
Jazz: For all, or the few?
Let's face it... Jazz as a musical force is not what was back in it's heyday. Yes, Jazz continues to evolve with it's never ending strive for innovation. Jazz radio stations remain very popular, and as I hear from Voice of America's Jazz America program every Saturday morning (Kuwait local time), the amount of new Jazz ...
Michael Bisio: Stepping Into the Limelight
by Gregory Applegate Edwards
Bassist Michael Bisio has become an increasingly visual and aural presence on the jazz/improvisation scene in the time since he moved from the west coast to New York. Yet he has been a significant contributor in jazz circles for years, and success was no overnight thing. Among other ongoing associations, Bisio is currently the bassist in ...
Agogic: Agogic
by Mark F. Turner
Seattle's music scene is well known for its alternative rock bands, such as Pearl Jam, Alice in Chains and Soundgarden. But the nonconformist jazz of Agogic's debut would rival them all in terms of its own energy and inventiveness. Born from the collaboration between saxophonist Andrew D'Angelo and trumpeter Cuong Vu (whose resumes are dotted with ...
Jay Anderson: Driving the Bus
by Ian Patterson
The term “sideman" really doesn't do justice to bassist Jay Anderson, as his beautifully melodic, lyrical lines and in-the-pocket-grooves lift and shape any music that he is a part of. And while the term “journeyman" holds some truth--Anderson has played with a huge number of people--one glance at his extensive discography reveals that most of the ...
Cal Tjader & Stan Getz: Sextet
by Chris May
Cal Tjader / Stan GetzSextetOriginal Jazz Classics Remasters2011 (1958) The presence of Latin and Afro-Cuban enthusiast, vibraphonist Cal Tjader, has created a widespread misconception that Sextet was the album which sparked tenor saxophonist Stan Getz's fascination with Brazilian music and, ultimately, bossa nova. The notion has, over ...
On Blind Tom, Essence of Creativity, Autism and Jazz
by Hrayr Attarian
It is safe to assume, that today, Blind Tom Wiggins (AKA Bethune) is not a household name. In the mid to late 19th century, and into the first decade of the 20th, however, Blind Tom was a phenomenon who some named the Eighth Wonder. Although no contemporary physician made the actual diagnosis of autism, it is ...
The Bill Dixon Orchestra: Intents And Purposes
by Troy Collins
Intents And Purposes has long been revered as Bill Dixon's singular masterpiece. Out of print for years, the late trumpet innovator's magnum opus has been lovingly remastered and reissued on CD, by International Phonograph Inc., in a deluxe mini-LP styled package that replicates the original 1967 issue, providing an important opportunity to reevaluate this seminal work. ...
James Blood Ulmer, Hot Club Of Cowtown & David Lindley
by Martin Longley
James Blood Ulmer & The Memphis Blood Blues Band Jazz Standard March 27, 2011 For a blues combo that doesn't possess a particularly powerful presence on the mainstream blues circuit, James Blood Ulmer certainly took his Memphis Blood Blues Band to the music's furthest limits and highest levels, both ...
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