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Jason Anick: Tipping Point
by Ian Patterson
One of the Berklee College of Music's youngest instructors, violinist/mandolinist Jason Anick had already made a name for himself in 2008, when at twenty two years of age he was invited to tour with Grammy-winning guitarist John Jorgenson. Anick's tremendous virtuosity was to the fore on the acoustic Rhythm Future Quartet's Sleepless (Self Produced, 2011), a ...
Musings on Jazz, Blues and the Sabbath
by Chris M. Slawecki
Margie Baker Sings With So Many Stars Consolidated Artists Productions 2014 Margie Baker didn't begin her career as a jazz and blues vocalist in the San Francisco area until she was nearly 40, but she made up for this delayed entry with endurance: She was often featured at the Monterey ...
Jazz Life: A Journey for Jazz Across America in 1960
by Nenad Georgievski
Jazz Life: A Journey for Jazz Across America in 1960 William Claxton and Joachim E. Berendt 552 ISBN: 3836544687 Taschen 2013 A single photograph can say and convene more than a thousand words. Although music itself can't be photographed, only a handful of photographers ever got closer to ...
Manfred Eicher: ECM - Selected Signs III - VIII
by John Kelman
When München's Haus der Kunst sponsored a nearly three-month exhibition about the ECM Records label, ECM: A Cultural Archeology, which ran from November, 2012 to February, 2013, there was far more to it than just bringing together collections of album covers, rarely seen video, archival tapes, imagery and concert performances. As much as ECM has carved ...
Anna Kaluza – Artur Majewski – Rafal Mazur – Kuba Suchar: Tone Hunting
by Stefano Merighi
La prassi della free-music conduce spesso l'opera musicale verso una lingua franca di cui è difficile delineare i contorni, l'identità. Se l'astrazione prevale sull'ispirazione melodica e il piano generale si riduce ad una sommaria aleatorietà, evaporano facilmente i tratti riconoscibili dei diversi esecutori (a meno di evidenti linguaggi individuali storicizzati), così come quelli geografici.
Steve Swell: Unlimited Musical Possibilities
by Victor L. Schermer
"Free Jazz" and “Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is ...
Steve Wilson/Lewis Nash: Duologue
by Dan Bilawsky
Saxophone and drum duos aren't as rare as some might believe, but a good percentage of such encounters are challenging, left-leaning affairs. John Coltrane's edgy encounters with Rashied Ali on Interstellar Space (Impulse!, 1974) emboldened many in the so-called avant-garde to marry these instruments time and again over the ensuing decades, yet few centrists seem as ...
Ljubljana Jazz Festival 2014
by Henning Bolte
2014 Ljubljana Jazz Festival 2014 Ljubljana, Slovenia July 2-5, 2014 Ljubljana--capital of the Republic of Slovenia, member of EU, neighbored by Austria, Hungary, Croatia and Italy--hosts the oldest jazz festival in Europe, which held its 55th edition this year. The event is usually organized by Cankarjev House--Cankarjev Dom, in Slovenian--a prestigious, state-run ...
Gianni Gagliardi: Nomadic Nature
by Dan Bilawsky
Barcelona-born, Brooklyn-based tenor saxophonist Gianni Gagliardi has long been a wanderer. He left his homeland in his teens, relocating to the Netherlands to further his jazz knowledge at the Conservatorium van Amsterdam. Later moves found him soaking up information at SUNY Purchase in New York, Le Conservatoire National Superior de Paris, Boston's Berklee School of Music, ...
Practice, Do You? Part 2-3
by Dom Minasi
Continued from Part 1 I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I ...
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