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John O'Gallagher: The Honeycomb
by Dan McClenaghan
Bring up the trio format, one with an alto saxophone, bass and drums, and Ornette Coleman, alto man extraordinaire, might come to mind, especially those fantastic Blue Note Records sets, The Ornette Coleman Trio at the Golden Circle Stockholm, Volume One and Two (1965). In fact, alto saxophonist John O'Gallagher, on The Honeycomb, has a lyricism ...
Rudresh Mahanthappa: Dancing on the Edges of Time
by Victor L. Schermer
Saxophonist and composer Rudresh Mahanthappa is constantly making waves in the music world, expanding the technique of his instrument and integrating jazz and world music, especially that of his parents' native land, India. Brilliantly innovative, he often surprises with his improvisations and the way he transforms the music into something new and stimulating. India's great poet, ...
Jack DeJohnette: Made in Chicago
by Giuseppe Segala
Periodicamente, seppure con rara frequenza, i protagonisti delle ricerche e dei fermenti musicali legati alla città di Chicago negli anni Sessanta si ritrovano e incrociano di nuovo i propri strumenti. Quando la Experimental Band di Muhal Richard Abrams rappresentò un momento catalizzatore di giovani talenti voraci di musica e pronti all'esplorazione, sfociata poi nella meravigliosa esperienza ...
Gebhard Ullmann/Basement Research: Hat And Shoes
by Glenn Astarita
Without a doubt, German multi-woodwind ace Gebhard Ullmann is one of the busiest artists within the global jazz network. Hat & Shoes celebrates his Basement Research band's 20th anniversary and the artist's 50th CD as a co-leader and leader, including his other ensembles --Conference Call and the Clarinet Trio. The all-star quintet ups the ...
Video: Art Pepper, 1964
Right after recording Smack Up in October 1960, Art Pepper took the cash from the session and went to a friend's house to buy two condoms of heroin. What he didn't know when he exited is that the residence was under surveillance and that he was on the detectives' list of regular buyers. Busted, Pepper, a ...
Lisa Parrott: Round Tripper
by Dan McClenaghan
Alto saxophonist/free jazz pioneer Ornette Coleman, in the recording studio for bassist Jamaaladeen Tacuma's For the Love of Ornette (Jazzwerkstatt, 2010), said to a band about to break into a tune: “Fellas. Fellas. Can you hear me? Forget the notes and get to the idea." New York-based, Australian-bred alto and baritone saxophonist Lisa Parrott seems to ...
Lisa Parrott: Round Tripper
by Dan Bilawsky
More than ten thousand miles separate New York and Australia, but saxophonist Lisa Parrott's music bridges that gap. On Round Tripper, the Australian-born, New York-based Parrott makes music that speaks to her connections to both locales and the bonds that she's made in both places over the years. Round Tripper finds Parrot working ...
Joe Harriott Quintet: Abstract/Southern Horizons/Free Form
by Duncan Heining
Swing Low, Sweet Harriott I don't think Joe Harriott's entire catalogue has ever been available at one time. Even in his heyday in the sixties, much of the 1950s material was unavailable. From the seventies onwards, things got really dire. Now that so much is out of copyright, Harriott's work is increasingly being reissued ...
Keith Jarrett, Charlie Haden, Paul Motian: Hamburg '72
by Luca Canini
Un paio di premesse. Doverose: per onestà intellettuale e per profondità di campo. La prima: da un pezzo ho smesso di emozionarmi per l'ennesimo disco di Keith Jarrett. Gli ultimi flebili sussulti risalgono al 2000, al doppio Whisper Not, prova di gran classe pur nell'ambito di un virtuosismo che da tempo si era ...
Despite setbacks, Jazz music survives and thrives in Boston
Jazz has become fringe art. Sure, Chris Botti and Diana Krall still move tickets, but the talented students pouring out of Berklee College of Music and the New England Conservatory face a tough economic reality: Graduates often make more money behind the counter at Starbucks than blowing their horns. But young players can take heart in ...
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