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About Olu Dara

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Musician

Olu Dara

Born:

Olu Dara is a multi-talented entertainer who has been performing since he was eight years old. Born (1941) in Natchez, Miss, Olu landed in New York in 1963 after a stint in the US Navy which took him all over the world. "Stranded in Brooklyn" (as Olu sings in his tune, Neighborhoods), Olu turned to music to survive. During the 1970s and '80s, he gained a reputation as a trumpet/cornet player who could handle all aspects of jazz. On the one hand he could perform with Art Blakey's Jazz Messengers (1973- 74), but he could also handle the demands of the free- flowing avant-garde style which formed the basis of the New York Loft scene of that period

21

Article: Jazz Raconteurs

Julius Hemphill: Marty Ehrlich and Tim Berne Remember a Musical Visionary

Read "Julius Hemphill: Marty Ehrlich and Tim Berne Remember a Musical Visionary" reviewed by Dave Kaufman

by Dave Kaufman

Julius Hemphill, a brilliant alto saxophonist and extraordinary composer, was a towering figure in avant-garde jazz and creative music. Yet his body of work remains surprisingly little known, even among aficionados of this sort of adventurous music. Hemphill's music demonstrated a deep feeling for the blues and other African American traditions. His creative vision extended well ...

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Article: Radio & Podcasts

Cassandra Wilson: Iconic Memories - Part 3

Read "Cassandra Wilson: Iconic Memories - Part 3" reviewed by Ludovico Granvassu

by Ludovico Granvassu

A musical remembrance of Cassandra Wilson and a voice that made even experimental music sound sensual and tangible, and turned old tunes into something modern, when not futuristic. Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Harriet Tubman, Cassandra Wilson “Bow Legged Man" Black Sun Live at BRIC House ...

4

Article: Book Review

Easily Slip Into Another World: A Life in Music

Read "Easily Slip Into Another World: A Life in Music" reviewed by Eric Gudas

by Eric Gudas

Easily Slip Into Another World: A Life In Music Henry Threadgill and Brent Hayes Edwards403 pagesISBN: #9781524749071Alfred A. Knopf 2023 In the early 1970s, Henry Threadgill--composer, multi-instrumentalist, bandleader, inventor of the hubkaphone, Vietnam veteran, and all-around Proteus (in Ovid, the god “who always changes") of Black music and ...

Article: History of Jazz

James "Plunky" Branch: Afrobeat, Funk e Spiritual Jazz

Read "James "Plunky" Branch: Afrobeat, Funk e Spiritual Jazz" reviewed by Angelo Leonardi

by Angelo Leonardi

Da circa un decennio il jazz statunitense e britannico vede l'emergere di giovani protagonisti che spezzano i confini tra i generi “colti" e popolari, operando una sintesi sfaccettata tra le molte espressioni della black music. Un torrente tumultuoso che viene alimentato dalle spinte politico-identitarie della comunità afroamericana (la rinascita dell'Afrofuturismo, il movimento Black Lives Matter), che ...

Album

The Boyé Multi-National Crusade For Harmony

By Julius Hemphill

Label: New World Records
Released: 2021
Track listing: CD 1—The Boyé Multi-National Crusade for Harmony I: Dear Friend; Zuli; Band Introduction; At Harmony; Air Rings; Dimples: The Fat Lady on Parade.
CD 2—The Julius Hemphill/Abdul Wadud Duo: Syntax; Tightenin’; Slang; Unknown Title; Rhapsody; Downstairs.
CD 3—The Janus Company: Opener; #4; #3; Collective Improvisation; Dogon A.D.
CD 4—Chamber Music: Parchment (1988); Mingus Gold (1988); Nostalgia in Times Square; Alice’s Wonderland; Better Get Hit in Your Soul; Daedalus String Quartet: Unknown Title No. 1 (1981); Unknown Title No. 2 (1981).
CD 5—Roi Boyé Solo and Text: Trills; Unfiltered Dreams; Wade in the Water; Change My Clothes.
CD 6—The Boyé Multi-National Crusade for Harmony II: K.C. Line; Testament #5; Song Suite: At Harmony; Sixty/Sixty; Astrid; Mailika; Pull It; Rites; Pigskin; For Billie (for Billie Holiday); One/Waltz/Time.
CD 7—Live at Joyous Lake: Mirrors; Dung; Band Introduction; Would Boogie.

Article: Extended Analysis

The Boyé Multi-National Crusade For Harmony

Read "The Boyé Multi-National Crusade For Harmony" reviewed by Stefano Merighi

by Stefano Merighi

Che trionfo per Julius Hemphill! A dispetto delle poche pagine--o righe--che le recenti storie del jazz dedicano al maestro di Fort Worth, Hemphill emerge da questo cofanetto di inediti come sassofonista-improvvisatore-compositore tra i più profondi della musica afroamericana nei decenni compresi tra gli anni '70 e '90. E questa preziosa edizione non solo ...

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Article: Album Review

Julius Hemphill: The Boyé Multi-National Crusade For Harmony

Read "The Boyé Multi-National Crusade For Harmony" reviewed by Mark Corroto

by Mark Corroto

There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune ...

7

Article: Interview

Meet BlueStem Jazz's Dave Stone & Thomas Ferrella

Read "Meet BlueStem Jazz's Dave Stone & Thomas Ferrella" reviewed by Hrayr Attarian

by Hrayr Attarian

Since 2016, and even through the pandemic of 2020, Madison Wisconsin has hosted a steady stream of improvisational music concerts. The majority of these are thanks to the organization named after Wisconsin's native grass, BlueStem Jazz. Founded by two retired professionals and melophiles this non-profit, award-winning establishment is dedicated to promoting and hosting a wide range ...

1

Article: Album Review

Do Tell: Hotend - Do Tell Plays the Music of Julius Hemphill

Read "Hotend - Do Tell Plays the Music of Julius Hemphill" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Una delle prime cose che colpiscono, prendendo in mano questo CD dedicato al songbook di Julius Hemphill, è la brevità quasi lacyana dei titoli. Mettendo poi l'oggetto nel lettore (ma anche già scorrendo la formazione), ecco che un secondo elemento salta all'occhio (o all'orecchio): il fatto che un repertorio squisitamente sassofonistico sia interamente riletto da un ...


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