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Bugge & Henning: Last Spring
by John Kelman
With such a focus on jazz, it's easy to forget that, at the end of the day, all music is--or, at least, comes from-- improvised music. Whether drawn from the ether and performed in real time or written down on manuscript, it's still drawn from the ether. Classical music has its own history in improvisation, ranging ...
Stian Westerhus: The Matriarch And The Wrong Kind Of Flowers
by John Kelman
Beyond his reputation as Norway's hardest working guitarist"--an éclat supported by, amongst many others, ongoing membership in Nils Petter Molvær's trio and assuming the producer's role for the trumpeter's Baboon Moon (Sula, 2011); collaborating with the Trondheim Jazz Orchestra for Ripples, raptures and disbelief (a Molde Jazz Festival commission screaming for release); and, with Didymoi Dreams ...
Oslo International Jazz Festival 2011
by John Kelman
Oslo International Jazz FestivalOslo, NorwayAugust 15-20, 2011 There's always an eager sense of anticipation when returning to Norway, whether it's the barren but beautiful north of Svalbard, the stunning, mountain-surrounded Molde, the picturesque Kongsberg, the fjord-gateway of Bergen or the rugged beauty surrounding Kristiansand. But going back to Norway for the ...
Norwegian Road Trip, Part 7: Molde Jazz, Days 5-6
by John Kelman
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 [Editors Note: From July 6 to July 26, 2010, All About Jazz Managing Editor John Kelman will travel throughout Norway to cover both the Kongsberg Jazz Festival (also participating in Silver City Sounds) and ...
Norwegian Jazz 101b: JazzNorway in a Nutshell 2010
by John Kelman
2008 | 2009 | 2010 | 2011 Norway may be a country that, more than most, aims to expose people from around the world to its culture through annual events like JazzNorway in a Nutshell, but as rich an experience as attending that junket is, returning to it on a regular basis is an ...
Acuna/Hoff/Mathisen: Jungle City
by John Kelman
While some accuse the musical innovations taking place in Scandinavia as diluting America's art form," there's plenty of evidence to the contrary. Many of the artists regularly stretching jazz's boundaries by introducing outside references can play in the tradition; they just choose not to. With Finding Nymo (ACT, 2009), Norwegian trombonist Helge Sunde and his Ensemble ...
Soft Machine: Live at Henie Onstad Arts Centre 1971
by John Kelman
Soft Machine Live at Henie Onstad Arts Centre 1971Reel Recordings2009 It's a curious thing, but live performances can be issued all the time in the jazz world without the suggestion that there are too many of them, while in the rock world the release of too many similar programs will ...
Punkt Festival 2009: Day 4, Kristiansand, Norway, September 5, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 For its fifth year, Punkt Festival's evening programming was, more than any other, organized around clearer thematic lines, although that still meant a considerably broader purview than most other festivals--and, of course, there was the occasional exception. The first day spotlighted up-and-coming talent; ...
Punkt Festival 2009: Day 3, Kristiansand, Norway, September 4, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 With the musical laboratory that's Punkt Live Remix, it's sometimes possible for a remix to actually surpass its source performance. With (for the most part) Punkt Co-Artistic Directors Jan Bang and Erik Honoré listening to each performance while it's in progress ...
Punkt Festival 2009: Day 2, Kristiansand, Norway, September 3, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 One of Punkt's many definers is its fearless avoidance of stylistic boundaries. Some festivals are expanding their stylistic purview out of necessity; Punkt has always been style-blind by definition. So it's not uncommon to find a program where some of today's greatest experimentalists ...


