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99

Article: Album Review

Various Artists: Our New Orleans 2005

Read "Our New Orleans 2005" reviewed by AAJ Staff

by AAJ Staff

One of the best and most tragic ways we have to know how much something matters is to go through the experience of having it taken away. To the people of lowland New Orleans, Hurricane Katrina was the end of a way of life. To the people of the United States, New Orleans herself winked out ...

187

Article: Album Review

Brad Mehldau Trio: Day Is Done

Read "Day Is Done" reviewed by Andrew Velez

by Andrew Velez

Since the early '90s, Brad Mehldau's considerable output has most consistently been in the trio format. Especially notable were the five volumes of The Art of the Trio. Making his debut here with the new unit is drummer Jeff Ballard, who replaces Jorge Rossy; Larry Grenadier holds down his accustomed spot on bass. This is “friendly ...

451

Article: Album Review

Steve Reich: You Are (Variations)

Read "You Are (Variations)" reviewed by John Kelman

by John Kelman

The liner notes to the Pat Metheny Group's album-length epic The Way Up give special thanks to contemporary composer Steve Reich. On Metheny lists across the internet, fans were asking “who is Steve Reich, and why the thanks?" The best answer to that question is advice to listen to You Are (Variations)--an album that summarizes much ...

996

Article: Extended Analysis

Brad Mehldau Trio: Day Is Done

Read "Brad Mehldau Trio: Day Is Done" reviewed by John Dworkin

by John Dworkin

More than any other artist, Brad Mehldau has tapped into today's jazz zeitgeist. Oft-times (maybe always), a cultural zeitgeist is difficult to define or encapsulate. But you know it when you see (hear) it: In walked Brad. That's part of the function, mystery, and beauty of Art. It gives form to what would otherwise be near ...

151

Article: Extended Analysis

Brad Mehldau Trio: Day Is Done

Read "Brad Mehldau Trio: Day Is Done" reviewed by Doug Collette

by Doug Collette

Brad Mehldau Trio Day Is Done Nonesuch Records 2005 Brad Mehldau is one of jazz's most talented and prolific artists. Through the course of his recording career, he has proved himself open to innovation (Largo) and reverential of tradition (the Art of the Trio series). He is a ...

458

Article: Album Review

Brad Mehldau Trio: Day is Done

Read "Day is Done" reviewed by John Kelman

by John Kelman

Sometimes it's not a good idea to mess with a good thing. Pianist Brad Mehldau's trio has remained stable since emerging on the scene in the mid-1990s, giving it time to evolve and establish the kind of chemistry that's only possible with a long-term relationship. But as freshly innovative as albums including his five memorable Art ...

341

Article: Album Review

Pat Metheny/Ornette Coleman: Song X: Twentieth Anniversary

Read "Song X: Twentieth Anniversary" reviewed by AAJ Staff

by AAJ Staff

Metheny fans who hadn't already caught the clues on 80/81 (ECM, 1980) or Rejoicing (ECM, 1984) were in for an electric shock when they hit play on the original Song X back in 1986... and more than a few copies immediately landed in resale bins as a result. The truth, not exactly a mystery--but still a ...

127

Article: Album Review

Rokia Traor: Bowmbo

Read "Bowmbo" reviewed by Eyal Hareuveni

by Eyal Hareuveni

Rokia Traoré presents an entirely different role model for an African female singer. She reflects on her Malian tradition and sings exclusively in her native language, Bamanan, which she chose because of its particular richness in metaphor and texture. But as she declares on “K”tê Don," from her third release, Bowmboï: “I respect my ancestors/But tradition ...

442

Article: Album Review

Bill Frisell: East/West

Read "East/West" reviewed by AAJ Staff

by AAJ Staff

Though he's passed through several phases during the last two decades, guitarist Bill Frisell has manifested an uncanny ability to transport listeners across gaps in time, space, and style. His jump-cut playing with Naked City did this in a blunt and abrupt fashion; recordings from his country-tinged period tugged at the very roots of American string ...


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