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Pasajero

Label: Nonesuch Records
Released: 2007

575

Article: Album Review

Pat Metheny: Secret Story: Deluxe Edition

Read "Secret Story: Deluxe Edition" reviewed by John Kelman


If The Way Up (Nonesuch, 2005) is Pat Metheny Group's magnum opus, then Secret Story is the guitarist's greatest achievement as a solo artist to date. A sprawling, 76-minute epic featuring a wealth of guest artists, members of a symphony orchestra and Metheny playing countless parts on an arsenal of guitars and keyboards, its only flaw ...

312

Article: Album Review

Ry Cooder: My Name is Buddy

Read "My Name is Buddy" reviewed by John Kelman


Veteran multi-instrumentalist/musical archivist Ry Cooder follows up his concept album Chavez Ravine (Nonesuch, 2005) with another narrative, My Name is Buddy. This time, with a similarly large cast of players, he suggests joining “...Buddy the Cat, Lefty Mouse and Reverend Tom Toad as they journey through time and space in the days of labor, big bosses, ...

477

Article: Album Review

Joshua Redman: Back East

Read "Back East" reviewed by John Kelman


For Back East, his first all-acoustic album in six years, saxophonist Joshua Redman returns from the west coast to the Big Apple, collaborating with a group of largely New York-based musicians. But the album's title refers to more than geographic relocation. A series of songs--original and otherwise--reflect an interest in Eastern harmonies and rhythms, with a ...

235

Article: Album Review

Wilco: Sky Blue Sky

Read "Sky Blue Sky" reviewed by Doug Collette


Wilco's Sky Blue Sky belies the stark black and white of its graphics. It's music of pastels, seemingly designed to lull the listener into a false sense of security. Consider the fact it was recorded with the lineup of the band including guitarist extraordinaire Nels Cline, who brought so much expansive texture to the sextet's tours ...

380

Article: Album Review

Pat Metheny / Brad Mehldau: Quartet

Read "Quartet" reviewed by Doug Collette


The second installment of the Pat Metheny/Brad Mehldau collaboration illustrates how the most accomplished and established musicians endure growing pains as they learn to work together. Even a partnership as complementary as this one benefits from a guiding hand or, alternately, suffers for lack of one. Make no mistake, the presence of Larry Grenadier's bass and ...

268

Article: Album Review

Metheny Mehldau: Quartet

Read "Quartet" reviewed by Nenad Georgievski


Distinguished musicians playing and recording together tells you that the sky will be the limit for its potential. The collaboration between guitarist Pat Metheny and piano prodigy Brad Mehldau was so fruitful that the initial session that gave us the brilliant Mehldau/Metheny duo album, also produced Quartet, with Mehldau's standard Trio joining forces. ...

245

Article: Album Review

Bill Frisell: Bill Frisell, Ron Carter, Paul Motian

Read "Bill Frisell, Ron Carter, Paul Motian" reviewed by John Barron


The old saying, you can't judge a book by its cover, certainly applies to the latest release by eclectic guitarist Bill Frisell on the Nonesuch label. The untitled recording--actually co-led by Frisell, pioneering bassist Ron Carter, and drummer Paul Motian--delivers an empathetic commentary on an expansive American musical landscape. What is pleasantly surprising--or perhaps reassuring--is that ...

218

Article: Album Review

Metheny Mehldau: Quartet

Read "Quartet" reviewed by John Kelman


In many ways Quartet--the second disc culled from the December, 2005 collaboration between iconic guitarist Pat Metheny and the younger but increasingly influential pianist Brad Mehldau--is the record that Pat Metheny Group's final Geffen album, 1996's Quartet, should have been. While the Metheny Group record had its charms, it was the closest thing to a contractual ...

345

Article: Album Review

Caetano Veloso: Ce

Read "Ce" reviewed by Matt Cibula


Cê is not a jazz album, but it's not really a pop or samba or world music record, and despite its vocals/guitar/bass/drums format, it's not a rock album either. So why am I reviewing it here? Well, first because it's by Caetano Veloso, the reigning genius of Brazilian popular music, and therefore worthy of study. On ...


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