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4

Article: Album Review

Dwiki Dharmawan: Rumah Batu

Read "Rumah Batu" reviewed by Friedrich Kunzmann


On his third album for Moonjune Records, Indonesian pianist Dwiki Dharmawan delivers a highly focused work and presents a wide array of styles, bound together by a core quintet and one common musical vision. While its predecessor Pasar Klewer found Dharmawan working with two alternating guitarists over a two-disc set of compositions, on Rumah ...

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Article: Album Review

Dwiki Dharmawan: Rumah Batu

Read "Rumah Batu" reviewed by Ian Patterson


Dwiki Dharmawan's international debut, So Far So Close (MoonJune Records) (2016), pitted the Indonesian pianist with Jimmy Haslip, Chad Wackerman and Indonesian six-string maestros Thopati and Dewa Budjana in a mostly conventional jazz-fusion setting. On Pasar Klewer (2017) Dharmawan gave vent to his incredibly broad compositional palette, with a genre-bending mash-up featuring Jerry Goodman, Mark Wingfield, ...

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Article: Album Review

Dwiki Dharmawan: Rumah Batu

Read "Rumah Batu" reviewed by John Kelman


There are, in these times of reduced music sales, fewer and fewer models that help niche labels to survive. In the case of New York-based MoonJune Records and its intrepid head Leonardo Pavkovic, the path to survival seems increasingly more about doing what he does for the love of it, and less about fiduciary gain (much ...

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Article: Film Review

Randy Brecker Quintet: Live at Sweet Basil 1988

Read "Randy Brecker Quintet: Live at Sweet Basil 1988" reviewed by John Kelman


Randy Brecker Quintet Live at Sweet Basil 1988 MVDvisual2018 Culled from direct-to-two-track digital recordings made on three of Randy Brecker's potent six-night 1988 run at New York City's Sweet Basil, and featuring a particularly top-drawer quintet of musical friends old and new, the original 1989 LP/CD release of Live at Sweet ...

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Article: Interview

Leonardo Pavkovic: Nothing is Ordinary

Read "Leonardo Pavkovic: Nothing is Ordinary" reviewed by Chris M. Slawecki


More than any other person, Leonardo Pavkovic has made me write some crazy shit. Pavkovic is the primal force behind the joyously eclectic MoonJune Records, which he established in 2001. “Established" may not be the right word: “I am truly an unusual and rules breaking call-it-record-company with a 'label' identity despite the fact that ...

Album

Ha Noi Duo

Label: ACT Music
Released: 2017
Track listing: Cloud Chamber; Five Senses; Like Mountain Birds; A Night With You, Gone; The Graceful Seal; Heaven’s Gourd; Chiếc Khăn Piêu; Monkey Queen; Beggar’s Love Song ; Silently Grows The Rice

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Article: Catching Up With

Jan Zehrfeld: Heavy Jazz

Read "Jan Zehrfeld: Heavy Jazz" reviewed by Phillip Woolever


The German group Panzerballett may have a metal edge on much of their music, but there's no mistaking that by any rational judgment this is also a definitive jazz band. Fans can always count on unpredictably adventuresome twists to the standard form on classics like “Birdland" or “Take Five" amidst inspired originals. Much of ...

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Article: Live Review

Garana Jazz Festival 2017

Read "Garana Jazz Festival 2017" reviewed by Nenad Georgievski


Garana Jazz Festival Garana, Romania July 6-9, 2017 Running from the 6-9th of July, the 21st edition of the Garana Jazz Festival saw the jazz world descend on its location near the Garana village, high in the Semenic Mountains of Romania. Obviously, the artistic credibility and the creative energy were ...

10

Article: Live Review

ELBJAZZ 2017

Read "ELBJAZZ 2017" reviewed by Ian Patterson


ELBJAZZ 2017 Blohm and Voss/various venues Hamburg, Germany June 2-3, 2017 Although Gregory Porter was the marquee name at the sixth edition of Elbjazz, with a strong supporting cast including Joshua Redman, Jan Garbarek, Hildegard Lernt Fliegen and Youn Sun Nah, the real star of the show was the spectacular festival ...

9

Article: Live Review

Like A Jazz Machine 2017

Read "Like A Jazz Machine 2017" reviewed by Ian Patterson


Like A Jazz Machine Centre Culturel Regionel Opderschmelz Dudelange, Luxembourg May 25-28, 2017 Size, as Like A Jazz Machine knows, isn't everything. The audience in the Centre Culturel Regionel Opderschmelz amounts to just four seated rows downstairs, with a small standing section to the rear, and ten rows ...


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