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Ornette Coleman, Who Widened Jazz and Changed Its Course, Dies at 85
Ornette Coleman, the alto saxophonist and composer who was one of the most powerful and contentious innovators in the history of jazz, died on Thursday morning in Manhattan. He was 85. The cause was cardiac arrest, a representative of the family said. Mr. Coleman widened the options in jazz and helped change its course. Partly through ...
Steve Gadd: Consummate Drummer
by R.J. DeLuke
It might be easier to list who drummer Steve Gadd hasn't played with since he got a pair of drum sticks at the age of three at his home near Rochester, NY, right up to the age of 70, where this year his tour of duty includes Eric Clapton, James Taylor and his own band. Gadd ...
Donald Vega "With Respect To Monty" out July 10 on Resonance Records
A tribute to the great living master, jazz pianist Monty Alexander In celebration of the Jamaican jazz icon, Monty Alexander, pianist Donald Vega puts together a hard-swinging compilation of Monty's great, early compositions. With Respect To Monty features an all-star lineup of Anthony Wilson (guitar), Hassan Shakur (bass) and Lewis Nash (drums). Since his debut on ...
Sam Trapchak: Land Grab
by Mark F. Turner
Sam Trapchak's debut as a leader, Lollipopocalypse (Raw Toast Records, 2011) highlighted a double-bassist with formidable abilities and forward thinking music performed by an exceptional crew of like-minded musicians. Land Grab furthers his exploits of jazz off-the-beaten-path. This time around, the music delves into freer and more adventurous designs with plenty of room ...
Chris Lightcap's Bigmouth: Epicenter
by Luca Canini
Ha ancora senso parlare di mainstream? Esiste un jazz che guarda al futuro riuscendo allo stesso tempo ad essere immediatamente riconoscibile e masticabile anche da chi di jazz poco, o niente, ne capisce? Domande oziose soltanto all'apparenza. Che nel loro studiato candore squarciano il velo di una dicotomia che a uno sguardo distratto può apparire insanabile: ...
Last Exit: Iron Path
by Mark Corroto
In saxophonist Peter Brötzmann's interview memoir We Thought We Could Change The World (Wolke Verlag Hofheim, 2014) he spoke about meeting Sonny Sharrock in Berlin 1969, when the guitarist was working for Herbie Mann. Brotzmann never forgot the meeting, and when bassist Bill Laswell conceived the idea of Last Exit in the mid-1980s, Sharrock was on ...
The Second Annual Made In New York Jazz Gala Is Announced
s music an international language? Looking at the international jazz scene it would be hard to argue otherwise. On June 27th, 2015 at in New York the international nature of jazz is being celebrated to its fullest, with the Made in New York Jazz Competition hosting international jazz, folk jazz and new flavor jazz artists all ...
All About Jazz Improves News Service. Transitions to Pay.
Outstanding page views, outstanding presentation, and fully integrated with All About Jazz and Jazz Near You All About Jazz upgraded its jazz news service for industry professionals. Improvements span the news announcement page, the news announcement submission form, a publicity firm listing page at Jazz Near You It will also distribute announcements to its Facebook page ...
Anna Webber’s Percussive Mechanics: Refractions
by Mark Corroto
Credit the new generation of jazz musicians for neither following tradition, nor coloring within the lines. Their music is not created within “the tradition." Unless, of course, that tradition includes maverick innovators like Anthony Braxton, Roscoe Mitchell, and John Zorn, players that, at times, have been given the label of non-jazz. This new crop of players ...
Ivo Perelman/Whit Dickey: Tenorhood
by Mark Corroto
For this meditation session, we ask you not to think about the legends of the tenor saxophone. Just listen to the interplay between Ivo Perelman and drummer Whit Dickey. Press play, and ignore the track titles dedicated to Hank Mobley, Ben Webster, John Coltrane, Albert Ayler, and Sonny Rollins. Why? Because, the saxophonist did just that ...
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