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302

Article: Album Review

Muhal Richard Abrams / Roscoe Mitchell: Spectrum

Read "Spectrum" reviewed by Kurt Gottschalk

by Kurt Gottschalk

Muhal Richard Abrams and Roscoe Mitchell are arguably the two figures most central to the birth and rearing of the seminal '60s collective the Association for the Advancement of Creative Musicians (AACM). The organization was borne out of Abrams' Experimental Band and the first standing group to emerge from it was the Roscoe Mitchell Art Ensemble ...

389

Article: Album Review

Eric Hofbauer: Eric Hofbauer: American Fear!

Read "Eric Hofbauer: American Fear!" reviewed by Tom Greenland

by Tom Greenland

With American Fear!, creative guitarist Eric Hofbauer once again exposes his funny bone, effectively demonstrating that jazz and humor are not mutually exclusive. Like American Vanity (Creative Nation, 2002), this is a solo guitar effort mixing unusual covers with quirky originals, all delivered with the Boston-based artist's extroverted minimalism. There are no disposable ...

444

Article: Album Review

Alex Sipiagin: Generations

Read "Generations" reviewed by Terrell Kent Holmes

by Terrell Kent Holmes

Woody Shaw was highly regarded as one of the finest trumpeters and composers of his era at the time of his tragic death in 1989, at the age of 44. Alex Sipiagin, an exciting young trumpeter, pays an eloquent tribute to Shaw with Generations, a blend of a few Shaw compositions with some of his own ...

460

Article: Album Review

Carolyn Leonhart: Tides of Yesterday

Read "Tides of Yesterday" reviewed by Marcia Hillman

by Marcia Hillman

Vocalist Carolyn Leonhart and saxophonist Wayne Escoffery are a young husband-and-wife team, and Tides of Yesterday is their second recorded partnership. And a partnership it is, because this CD (as the liner notes say) is not about a “vocalist with a band or a band with a guest vocalist." Leonhart's sultry and expressive voice acts, at ...

418

Article: Album Review

Fred Anderson: Black Horn Long Gone

Read "Black Horn Long Gone" reviewed by Francis Lo Kee

by Francis Lo Kee

Fred Anderson is one of today's most powerful and singular saxophonists. Recorded in 1993, this trio (with bassist Malachi Favors and drummer Ajaramu--aka AJ Shelton--who have both since passed away) flies blissfully to new heights for piano-less sax trios. To call Anderson a member of the free jazz movement produces an incomplete picture. His technical facility ...

454

Article: Album Review

Peter Madsen: The Litchfield Suite

Read "The Litchfield Suite" reviewed by Terrell Kent Holmes

by Terrell Kent Holmes

Peter Madsen fortified an already solid reputation with a pair of stellar solo piano works in the last decade: Sphere Essence: Another Side of Monk (2003) and Prevue of Tomorrow (2006), both on Playscape. Now he works his magic with bassist Andy McKee and drummer Gerald Cleaver on The Litchfield Suite, a vibrant performance captured live ...

398

Article: Album Review

Anthony Braxton: Creative Orchestra (Koln) 1978

Read "Creative Orchestra (Koln) 1978" reviewed by Jeff Stockton

by Jeff Stockton

Jazz is often viewed as a progressive art form, one that by its very nature is constantly changing and reinventing itself. The paradox is that change isn't always what the audience wants to hear, so it frequently takes awhile simply to catch up. Such seems to be the case with the music of Anthony Braxton, one ...

157

Article: Album Review

Jon Mayer: Nightscape

Read "Nightscape" reviewed by Ken Dryden

by Ken Dryden

Jon Mayer was working professionally as a jazz pianist as a teen back in the '50s, while attending the Manhattan School of Music. As well as working as a sideman with Tony Scott, Kenny Dorham, Chet Baker, the Thad Jones/Mel Lewis Orchestra, Sarah Vaughan and others, along with taking part in record dates with John Coltrane ...

412

Article: Album Review

Kenny Dorham: Kenny Dorham - The Flamboyan, Queens, NY, 1963 - featuring Joe Henderson

Read "Kenny Dorham - The Flamboyan, Queens, NY, 1963 - featuring Joe Henderson" reviewed by Francis Lo Kee

by Francis Lo Kee

Kenny Dorham's big splash in the bebop business was taking over the trumpet chair in Charlie Parker's Quintet. He then became one of the most productive members of the Blue Note community, and his composition “Blue Bossa" has since become a jazz standard. This excellent live set is another wonderful and important issue from Uptown Records. ...

336

Article: Live Review

The Diva Jazz Orchestra and Johnny Mandel at Dizzy's Club, NYC

Read "The Diva Jazz Orchestra and Johnny Mandel at Dizzy's Club, NYC" reviewed by Dan Bilawsky

by Dan Bilawsky

Diva Jazz Orchestra Dizzy's Club Coca Cola New York, New York May 26, 2010 While The Diva Jazz Orchestra often gets press that relates to their status as an all-female big band, gender is irrelevant when discussing their musical acumen. Drummer Sherrie Maricle and company have proven themselves time and ...


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