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Noah Haidu: Momentum
by Bruce Lindsay
A quick glance at the monochrome photo that adorns the cover of Momentum could lead to the impression that the pianist is George Gershwin. It isn't, of course, it's Noah Haidu and this is his second album as leader. Any similarities between Haidu and Gershwin end with the shadowy cover shot--Haidu most definitely looks to more ...
Matthew Sheens: Every Eight Seconds
by Dan Bilawsky
In 2009, pianist Matthew Sheens became the first Australian to win a Downbeat Magazine Student Award, but that's hardly the only honor that's been bestowed upon this gifted musician. Sheens has been racking up grants, scholarships and awards at a rapid pace, as he moved from the University of Adelaide, where he completed his undergraduate work ...
Anzic Records Artist Anat Cohen On The Move!
Following her sojourn to Istanbul, Turkey to perform and participate in the International Jazz Day Celebration along with Herbie Hancock, Eddie Palmieri, Esperanza Spalding, and many other celebrated artists, the JJA declared reed virtuoso Anat Cohen Clarinetist of the Year" for the seventh year in a row, and Multi-Reeds Player of the Year" for the second ...
Edward Simon Trio: Live in New York at Jazz Standard
by John Kelman
Some artists maintain a busy release schedule, putting out an album a year--sometimes, in the case of musicians like guitarist Bill Frisell, even more frequently--while others, for a variety of reasons, are less prolific. Pianist Edward Simon has, in recent years, been issuing albums with broader distribution under his own name--which automatically discounts 2010's independently released ...
Ken Fowser/Behn Gillece: Top Shelf
by Dan Bilawsky
The team of tenor saxophonist Ken Fowser and vibraphonist Behn Gillece has been steadily releasing music of a similar nature on the Posi-Tone label since its 2009 debut, Full View, hit the shelves. With this, the duo's fourth album, Fowser and Gillece continue along the same path with nary a stylistic sharp turn, yet this one ...
Pablo Ziegler's Nuevo Tango Passion: Amsterdam Meets New Tango and Tango Nostalgias
by Dan Bilawsky
Astor Piazzolla invited jazz into the world of tango, birthing a hybridized form of music that's outlived its creator; jazz, proving equally hospitable, opened its doors to Piazzolla and nuevo tango. High-end artists like saxophonist Gerry Mulligan, vibraphonist Gary Burton, and guitarist Al Di Meola all collaborated with the legendary composer/bandoneon player, helping to raise his ...
Confusion Bleue: East Side Banquet
by Glenn Astarita
Luminously recorded at East Side Studio in New York City, the superfine Confusion Bleue band reemerges with a sterling exposition, centered upon its democratic, but largely cohesive free-form manifesto. The musicians present a resonating group-centric sound, aided by Lee Pembleton's exquisite audio-engineering via a consortium of gusty improvisations and swirling breakouts. With rapidly-moving pulses, keyboardist Nobu ...
Will Budget Cuts Hurt Jazz Education's Swing in the USA?
by Joan Gaylord
Though economic indicators suggest we are slowly emerging from the Great Recession here in the United States, repercussions could echo through the jazz world for a generation. The past five or so years of extreme cuts to public school budgets--especially the arts programs-- could mean a dearth of well-trained, young musicians.I am seeing students ...
Daniel Bennett Group: Clockhead Goes to Camp
by Hrayr Attarian
Reedman Daniel Bennett's Clockhead Goes to Camp is a crystallization of the motifs explored in his previous work. The thirteen short tracks--the longest clocking at less than six minutes--are concise, crisp and deceptively simple. The intriguingly surreal ambience results from the mixture of international folk influences and futuristic minimalism.Last Summer At Camp Creepy" is ...


