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Jaleel Shaw: Perspective
by Joel Roberts
Jaleel Shaw certainly knows how to make an entrance. The first cut on the alto saxophonist's first outing as a leader has already earned the Philadelphia native an ASCAP Young Jazz Composer Award. That tune, “Heavyweight Champion, an inspired tribute to one of his heroes, John Coltrane, is just one of many treats on this impressive ...
Ribot/Campbell/Grimes/Taylor: Spiritual Unity
by Jeff Stockton
When Albert Ayler went down into the East River, he simply wouldn't have believed that after 35 years he would be held in the highest esteem and the subject of a genuine revival. He always wanted us to focus on the sound rather than the notes, but we weren't quite ready to receive his message: musical ...
Pete Zimmer Quintet: Common Man
by Sean Patrick Fitzell
Though not as rare as they once were, outfits led by drummer/composers are still a minority in jazz. Picking up that mantle, Pete Zimmer, the young drummer best known for his work with saxophonist George Garzone, defies the cliche that drummers' records are nothing more than chops-driven accompanied drum solos. His debut, Common Man, serves up ...
Nora McCarthy/Jorge Sylvester: A Small Dream in Red
by Florence Wetzel
A Small Dream in Red is a new CD as well as the name of the group composed of vocalist Nora McCarthy and alto saxophonist Jorge Sylvester. Inspired by painter Wassily Kandinsky's 1925 masterpiece of the same name, A Small Dream in Red is a joy of dynamic interplay between two diverse talents. McCarthy's roots include ...
Tia Fuller: Pillar of Strength
by Terrell Kent Holmes
Saxophonist and flutist Tia Fuller stakes her claim to being one of the finest new musicians on the scene with her exhilarating debut as a leader, Pillar of Strength. Her top-shelf chops on reed and wind instruments are complemented by her formidable skills as a composer and arranger, and she has an excellent band along for ...
Edward Ratliff: Barcelona in 48 Hours
by AAJ Staff
Rhapsodalia and Five Agents are comparable yet unique quintets led by instrumental wizard Edward Ratliff. His work on cornet, trumpet, trombone, euphonium, accordion, celeste, and even Fender Rhodes makes you want to tap your foot, be social, and clank wine glasses (better yet beer pints). Early last month, Five Agents graced Barbès (one of Brooklyn's better ...
Mulgrew Miller: Live At Yoshi's Volume Two
by Joel Roberts
Mulgrew Miller is one of the unsung heroes of jazz. The veteran pianist, who turns fifty this month, has played in the bands of major figures like Betty Carter, Woody Shaw, Art Blakey, and Tony Williams and has more than four hundred recording credits to his name. Though respected as a dependable, first-call sideman, he's only ...
Sal Mosca: Thing-Ah-Majig
by Brandt Reiter
Often referred to as Lennie Tristano's prime pupil, 78-year-old Sal Mosca has spent the greater part of the last half-century teaching rather than performing or recording, so any new disc by the low-profile pianist is immediately something of an event. Thing-Ah-Majig, recorded in 2004 and especially noteworthy as Mosca's first trio recording since 1959, does not ...
James Spaulding: Round To It!
by Brandt Reiter
High quality hard bop from one of the pillars of the music. Master alto saxophonist and flutist James Spaulding has been an A-list sideman since the late fifties, when he worked frequently with Sun Ra. During the sixties he could be found on countless Blue Note recordings, lending invaluable support to such legendary artists as Wayne ...
Mark Dresser/Denman Maroney: Time Changes
by Brian P. Lonergan
Listening to bassist Mark Dresser and pianist Denman Maroney's Time Changes is often like being in a car with someone trying to learn stick shift--smooth coasting is interrupted by sudden lurches, premature downshifts, or unexpected accelerations. To the musicians' credit, though, the music never stalls. By creating tension with so many rhythmically off-kilter sections, the passages ...
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