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Mark Murphy: Once To Every Heart
by Andrew Rowan
Mark Murphy just gets better and better, to steal a phrase, like an elegant wine. And he is fearless. In his distinguished career, he's covered it all: blues, Latin, contemporary pop, songbooks (most notably Cole Porter, Joe Williams, Cy Coleman and Dorothy Fields). And he still remains one of the foremost interpreters of the Great American ...
Peter Epstein / Brad Shepik / Matt Kilmer: Lingua Franca
by Abe Pollack
Technology and musical development have always seemed to work in tandem. Reel to reel recording made delay effects and multitracking techniques possible. Laptop processing has allowed trumpets to sound like cellos and cellos to sound like Jimi Hendrix. But the most intriguing technological advance for music in recent years has been the introduction of the iPod. ...
Sandy Sasso: All My Men
by Suzanne Lorge
Sandy Sasso's voice is as rich as the brown eyes smiling on the cover of All My Men. The title and photo suggest a mere flirtation, but the artist delivers serious music with her smiles. In her liner notes she dedicates the album and her original composition, the title cut, to the musicians with whom she ...
Ben Wolfe: My Kinda Beautiful
by Brian P. Lonergan
The liner notes to bassist/composer Ben Wolfe's My Kinda Beautiful refer to the record's “cinematic scape and the handiness of describing its music “in images. Many of the nineteen tracks do sound remarkably like they could accompany scenes from films, though they're not linked by a reference to a single dramatic arc. The result is a ...
Gregg August: Late August
by Terrell Kent Holmes
Bassist Gregg August's pedigree is hard bop, and his trademark compositions have heads that examine every harmonic and melodic possibility and are almost stories unto themselves. His sextet recently played a lively set at New York's Fat Cat, and a few of the tunes they performed are featured on August's new album, the somewhat self-titled Late ...
Reuben Radding: Intersections
by Jeff Stockton
Reuben Radding has had to take initiative to get his music heard before. Luminescence, a recording of duets performed with multi-reedist Daniel Carter, was shopped around and ultimately released by AUM Fidelity in 2002; it gave off a do-it-himself scent that carries over to Intersections, the first release on the bassist's own Pine Ear Music label. ...
The Omer Avital Group: Asking No Permission
by Brian P. Lonergan
The Omer Avital Group was a mainstay at New York's Smalls club in the mid '90s. An unfortunate turn of events with record companies suppressed the bassist/composer's major label debut, and in recent years Avital has spent more time working and studying in his native Israel. But with the release of Asking No Permission and a ...
Monk
by Suzanne Lorge
Rome Neal/Laurence Holder Monk DVD; 90 minutes 2005 Pianist Thelonious Monk cut an elusive figure throughout his public life as an innovator of early bebop. The very mystery surrounding Monk as a personality is what makes the one-man play Monk, now available on DVD, compelling viewing. The ...
Various: Jazz Is Love: Timeless Songs For Lovers
by Andrew Velez
This mix of fifteen sides from the '50s and '60s is studded with gems, mostly from our greatest songwriters--the likes of the Gershwins, Cole Porter, Rodgers and Hart, each offering an enduringly upbeat report from the trenches of love. Most of the artists are now gone, but very much worth remembering or becoming newly acquainted with. ...
Mark Colby: Speaking of Stan
by Elliott Simon
Almost fifteen years after the death of tenor saxophonist Stanley Gayetzky, aka Stan Getz, the sheer breadth of his musical accomplishments still boggles the mind. Thus it was with some skepticism that I began to listen to Speaking of Stan, tenor man Mark Colby's tribute to the man about whom Trane said, “Let's face it. We ...
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Arcanum at Victoria Nasjonal Jazzscene, Oslo
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Six new releases from Michael Pagan Big Band, Ron Vincent,...
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Enrico Rava: The Secret Corners of a Master
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