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The Future of Music: Manifesto for the Digital Music Revolution"
by Francis Lo Kee
The Future of Music: Manifesto for the Digital Music Revolution David Kusek and Gerd Leonhard Hardcover; 197 pages ISBN: 0876390599 Berklee A friend who is a computer wiz says I don't think that I can ever get into simply downloading music. To which I ...
Ray Brown: The Final Concerts & The Three
by Francis Lo Kee
Oscar Peterson/Ray Brown/Ed Thigpen The Final Concerts Limelight/Moon-Gambit 2006 Joe Sample/Ray Brown/Shelly Manne The Three East Wind-Test Of Time 2006 To even merely mention all of Ray ...
Jason Moran: Artist in Residence
by Joel Roberts
While most jazz artists, even the great ones, tend to stick to the tried and true, Jason Moran has risen to the upper echelon of the jazz world by constantly challenging his audience. Listeners never really know what to expect from the 31-year-old pianist except that it's going to be fresh, intellectually rigorous, exceedingly of-the-moment music ...
The Gauci Trio: We're Comin' Just One Time
by Brian P. Lonergan
This trio recording led by tenor saxophonist Stephen Gauci comes across as a fifty-minute suite of nearly free jazz, rather than eight tracks with their own distinct personalities. Gauci's self-penned liner notes are a good reflection of the music--esoteric and a bit circular, conveying some interesting perspectives on the nature of freedom and form in improvisation, ...
4 Upcoming Gary Lucas & Gods and Monsters NYC shows
4 Upcoming NYC Shows for GARY LUCAS & GODS AND MONSTERS Gary Lucas, guitars and vocals; Jerry Harrison,keyboards and vocals; Ernie Brooks,bass and vocals; Billy Ficca, drums; Jason Candler, alto sax; plus special guests An underground rock fan's dream team"--The New Yorker Just added! Friday, Oct. 13th--party celebrating the release of Steve Beeber's new book The ...
Mighty Quinn Records
by Donald Elfman
It is almost a truism that anyone who ever got into the jazz record business did it for the love of the music. Its practitioners and promoters do so despite the vagaries of the market and that market is, at this juncture, even tougher than previously. Yet, still, there are small and middling entrepreneurs that want ...
Marilyn Crispell
by Tom Greenland
Soft-spoken and unassuming in person, pianist Marilyn Crispell's modest mien belies her dynamic musical personality, a key force and central voice in modern jazz piano since the early '80s. A native of Baltimore, MD, Crispell had early training in classical music at the Peabody Music School, followed by tenure at the New England Conservatory of Music, ...
Jim Ridl: Your Cheatin' Heart and Other Works
by George Kanzler
Jim Ridl, who's been with Pat Martino's bands for years, deserves to be better known. Not only is he a personal, forceful pianist, he's also a first-rate composer and arranger who knows how to put together a band and how to make thoroughly engaging albums like this one. Country songs like Hank Williams' title opus and ...
Slava Ganelin / Ned Rothenberg: Falling Into Place
by AAJ Staff
The Ganelin Trio--probably the most recognized group of the Russian jazz scene during the last decade of the USSR--was officially disbanded at the end of the '80s. Both saxophonist Vladimir Chekasin and percussionist Vladimir Tarasov remained in now-independent Lithuania, keeping themselves busy in different projects mostly in Europe, while pianist Vyacheslav (Slava) Ganelin moved to Israel, ...
Kris Davis: The Slightest Shift
by Brian P. Lonergan
The adjective that comes to mind again and again when listening to this quartet recording by pianist and composer Kris Davis is refreshing. Much of The Slightest Shift sounds close to free improvisation, but there is also a recurring sense that one is listening to a modern chamber music ensemble. And the initial impression of at ...

