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1

Article: Album Review

Elliott Sharp: Momentum Anomaly

Read "Momentum Anomaly" reviewed by Vic Albani

by Vic Albani

Elliott Sharp. Uno dei nomi su cui, davvero, ci si sarebbe da scrivere parole su parole. Amato e odiato. Compreso e incompreso. In breve, un fiume inarrestabile di musica; una discografia monumentale. Torrenziale come i miliardi di note che diffonde nell'universo musicale d'avanguardia da metà degli anni Settanta. Decine e decine di progetti: ordine e disordine, ...

33

Article: Album Review

Colin Webster/Mark Holub: Viscera

Read "Viscera" reviewed by Sammy Stein

by Sammy Stein

To be able to say you have heard something unique is rare these days. Of course, every musician's recordings are unique but occasionally there arrives an album which is truly 'stand alone' and Viscera (New Atlantic),the third album by saxophonist Colin Webster and drummer Mark Holub is one such album. The album consists of track after ...

1

Article: Album Review

Tatsuya Nakatani, Shane Perlowin: Anatomy of a Moment

Read "Anatomy of a Moment" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Un'improvvisazione fortemente strutturata, di carattere non necessariamente jazzistico (semmai, per riferimenti linguistici, fra il country-blues e, più marginalmente, il contemporaneo) contrassegna quest'ottimo album del duo composto dal chitarrista di Asheville (North Carolina) Shane Perlowin e dal percussionista- rumorista giapponese (di Osaka, ma ormai di stanza in Pennsylvania) Tatsuya Nakatani, già attivo, fra gli altri, accanto a ...

20

Article: Album Review

Tatsuya Nakatani & Shane Perlowin: Anatomy of a Moment

Read "Anatomy of a Moment" reviewed by Dave Wayne

by Dave Wayne

On Anatomy of a Moment, Aleuchatistas guitarist Shane Perlowin joins the legendary percussionist Tatsuya Nakatani for a series of duets that are as perplexing as they are beautiful. Sticking largely to fingerstyle acoustic guitar, Perlowin's controlled and tightly parameterized improvising stands in stark contrast to Nakatani's varied and unpredictable sound experiments. While his playing in the ...

5

Article: Album Review

TOTEM>: Voices of Grain

Read "Voices of Grain" reviewed by Budd Kopman

by Budd Kopman

For those that have heard TOTEM>'s Solar Forge, Voices of Grain will be familiar territory as guitarist Bruce Eisenbeil, bassist Tom Blancarte, and drummer Andrew Drury deepen and extend their intensity and group empathy while expanding their range of expression. While Solar Forge is white hot through and through, Voices of Grain has pacing ...

Album

Voices of Grain

Label: New Atlantis Records
Released: 2013
Track listing: Genosong; Written in the Body; Counter Memory; Towards Jouissance; Message Without a Code; Post-Repeating; Silence On Its Road.

Album

Chamaeleon

By Edward Ricart

Label: New Atlantis Records
Released: 2013
Track listing: Forager; Real Orbital; Excavator; Blind Source; Elliptic Operators; Beelining.

7

Article: Album Review

Edward Ricart Quartet + Paul Dunmall: Chamaeleon

Read "Chamaeleon" reviewed by Glenn Astarita

by Glenn Astarita

Guitarist Edward Ricart has studied in Europe and aligned with a multinational roster of experimental jazz artists amid his adventurous work in the free-rock duo, Matta Gawa and avant-garde, and Sonic Suicide band. Based in Washington D.C., the artist reaps the benefits of UK tenor sax titan Paul Dunmall and world-traveler, trumpeter Herb Robertson for this ...

7

Article: Album Review

TOTEM>: Voices of Grain

Read "Voices of Grain" reviewed by Glenn Astarita

by Glenn Astarita

The trio returns with a vengeance on its second album, where they delve into a boundary-less avant-garde foray, proffering an extension of sorts, to Solar Forge (ESP, 2008). And the musicians hop right into the thick of things on the opener “Genosong," where electric guitarist Bruce Eisenbeil saws, slices, and seemingly hacks his way through a ...

5

Article: Album Review

Edward Ricart Quartet + Paul Dunmall: Chamaeleon

Read "Chamaeleon" reviewed by Eyal Hareuveni

by Eyal Hareuveni

The sophomore album of guitarist Edward Ricart's powerful quartet (after Ancón, Slam, 2011), now augmented with legendary British saxophonist Paul Dunmall, is a masterful demonstration of free jazz mixed with inspirations from alternative, avant-rock outfits. Ricart, whose list of collaborations covers an impressive spectrum, ranging from hardcore punk band Black Flag and ...


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