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394

Article: Album Review

Myra Melford/The Tent: Where the Two Worlds Touch

Read "Where the Two Worlds Touch" reviewed by John Kelman


At its best music should transcend any technical evaluation; it should just be. All too often people (read: critics) assess the skill involved in creating a specific work, forgetting about whether or not it succeeds on purely a gut level. Pianist Myra Melford's latest project, The Tent, manages to rise above such pedestrian considerations, instead demanding ...

139

Article: Album Review

Myra Melford/The Tent: When The Two Worlds Touch

Read "When The Two Worlds Touch" reviewed by Jerry D'Souza


Poetry has its own essence. Myra Melford was inspired by the words of Jelaluddin Rumi, the founder of the Mevlevi order of dervishes who are, perhaps, more recognisable as the Whirling Dervishes. Rumi’s words have undoubtedly cast a spell, but the music here goes well beyond that. Melford has a clasp on Hindustani music that she ...

100

Article: Interview

Dave Douglas: Brave New World

Read "Dave Douglas: Brave New World" reviewed by AAJ Staff


Trumpeter / composer Dave Douglas has been creating new worlds for listeners for the past decade. His ethereal writing style for unconventional configurations transports audiences into unfamiliar territory. These distinctive compositions combined with his astonishing technique and expressionist improvisations have brought him critical and public acclaim as a visionary of his generation. The diversity of his ...

Album

Yet Can Spring

Label: Arabesque Jazz
Released: 2001
Track listing: Yet Can Spring; Duiloquy; Here Is Only Moment; The Open Return; March Fantastique; The Natural World; Yellow Are Crowds of Flowers, I; Don't You Know.

298

Article: Album Review

Myra Melford/Marty Ehrlich: Yet Can Spring

Read "Yet Can Spring" reviewed by AAJ Staff


From the opening notes of Yet Can Spring, it's clear that Myra Melford and Marty Ehrlich occupy common ground. It's not common in any other sense of the word, though. These two players each have a unique perspective on the intersection of straight-ahead improvisation with its freer forms, and both dwell eagerly at the interface. At ...

166

Article: Album Review

Myra Melford and Marty Ehrlich: Yet Can Spring

Read "Yet Can Spring" reviewed by AAJ Staff


Myra Melford-Marty Ehrlich: Yet Can Spring by Gerard Cox Myra Melford and Marty Ehrlich are prominent musicians in a new school of the jazz avant-garde whose credo might speak something like this: “yeah, we're cool with playing out, but don't think that because of that we're not able to deal with and respect the jazz tradition, ...

180

Article: Album Review

Myra Melford - Marty Ehrlich: Yet Can Spring

Read "Yet Can Spring" reviewed by Glenn Astarita


With Yet Can Spring, two esteemed modern jazz virtuosos unite for their first ever duet outing. And while multi-woodwind expert Marty Ehrlich has recorded with pianist Myra Melford’s magnificent “Extended Ensemble”, the twosome tempers the climate with this altogether comprehensive presentation consisting of eight multihued and cleverly articulated portraitures. The duo employs a layered yet democratic ...

Album

Dance Beyond The Color

Label: Arabesque Jazz
Released: 2000

204

Article: Album Review

Myra Melford: Dance Beyond The Color

Read "Dance Beyond The Color" reviewed by Mark Corroto


My first exposure to pianist Myra Melford some years ago led me to believe she was a European jazz artist. Her Western European classical approach to the avant-garde keyboard was closer to Misha Mengelberg than Herbie Nichols. Recently, I learned she was born outside of Chicago and upon hearing her latest trio, Crush, I reinterpreted her ...

Album

Above Blue

Label: Arabesque Jazz
Released: 1999


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