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23

Article: Multiple Reviews

Folklore and classicism from ECM: Dino Saluzzi's piano music & The Gurdjieff Folk Instruments Ensemble

Read "Folklore and classicism from ECM: Dino Saluzzi's piano music & The Gurdjieff Folk Instruments Ensemble" reviewed by Mark Sullivan


Two recent ECM releases deal with the interface of folk and classical music, each in its own way. Imágenes presents classical piano music composed by Dino Saluzzi, a musician strongly associated with the Argentinian tango tradition. Komitas takes classical compositions based on Armenian folk music and reimagines them played on the folk instruments that would have ...

15

Article: Album Review

Enrico Rava Quartet with Gianluca Petrella: Wild Dance

Read "Wild Dance" reviewed by Mark Sullivan


Stalwart Italian jazz trumpeter Enrico Rava introduces his new working quartet for this Wild Dance, joined by longtime playing partner trombonist Gianluca Petrella. Petrella contributed to Rava's three ECM post-millennium quintet albums Tribe (2011), The Words & The Days (2005) and Easy Living (2003). The basic quartet features a guitar rather than piano, recalling Rava's 1970s ...

19

Article: Album Review

Stefano Battaglia Trio: In The Morning

Read "In The Morning" reviewed by Mark Sullivan


Italian pianist Stefano Battaglia and his trio present a program with a special thematic focus: all of the music was written by American composer Alec Wilder. Wilder is best known for his popular songs (recorded by Frank Sinatra, Peggy Lee, the Mills Brothers and others), but he also composed in many other genres--including art songs, orchestral ...

7

Article: Album Review

Stephan Micus: Nomad Songs

Read "Nomad Songs" reviewed by Mark Sullivan


Multi-instrumentalist Stephan Micus has lived in a sound world of his own for many years. World Music usually means borrowing from disparate musical cultures and combining them. But Micus creates World Music for a world of his own creation. He adopts traditional instruments from all over the planet, then combines them in original compositions without referencing ...

6

Article: Album Review

Manu Katché: Touchstone for Manu

Read "Touchstone for Manu" reviewed by Mark Sullivan


Drummer Manu Katché found the spotlight supplying the groove to recordings by rock artists Peter Gabriel and Sting, then to jazz artists Jan Garbarek and Herbie Hancock. His four ECM recordings as leader showed him to be an accomplished composer and bandleader as well. Now that he has apparently left the label, Touchstone for Manu is ...

Article: Album Review

Cyminology: Phoenix

Read "Phoenix" reviewed by Vic Albani


Lo scrivevamo qualche anno fa da queste stesse colonne: lei si chiama Cymin Samawatie, iraniana nata a Braunschweig anche se da molti anni berlinese acquisita, capace di lavorare ad alti livelli sulle metriche della poesia classica di Rumi o Hafez. Accanto ad un trio formato dal pianista Benedikt Jahnel, dal bassista Ralf Schwarz e dal batterista ...

20

Article: Extended Analysis

Eberhard Weber: Encore

Read "Eberhard Weber: Encore" reviewed by John Kelman


In a time when too many things that seem unfair create victims rather than heroes, the world needs more people like Eberhard Weber. Struck down with a major stroke in 2007, the renowned German bassist found himself without the strength required in his left hand to be able to play the custom-built, electric five-string double bass ...

28

Article: Talking 2 Musicians

Matthias Bublath

Read "Matthias Bublath" reviewed by Alan Bryson


Matthias Bublath is a composer, pianist, organist, and keyboardist based in Munich, Germany. After graduating from the Berklee College of Music in Boston, he lived in New York City for several years honing his skills before returning to his native Munich in 2009. During those years in New York he forged musical bonds which have continued ...

17

Article: Interview

Nat Adderley: A Player's Player

Read "Nat Adderley: A Player's Player" reviewed by Joan Gannij


This interview was originally conducted in 1997. I met Nat Adderley in San Diego, California in 1986 when I was working as a disc jockey at a jazz radio station and doing the PR for La Jolla Playhouse. We did an interview about a new production of a musical being revived at the progressive ...

28

Article: Extended Analysis

Manfred Eicher: ECM - Selected Signs III - VIII

Read "Manfred Eicher: ECM - Selected Signs III - VIII" reviewed by John Kelman


When München's Haus der Kunst sponsored a nearly three-month exhibition about the ECM Records label, ECM: A Cultural Archeology, which ran from November, 2012 to February, 2013, there was far more to it than just bringing together collections of album covers, rarely seen video, archival tapes, imagery and concert performances. As much as ECM has carved ...


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