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Two From The Giant Step Arts Label
by Jerome Wilson
Giant Step Arts is a non-profit organization and label dedicated to helping jazz musicians create the music they want to without worrying about the pressures of the marketplace. On two of their initial releases, that translates into concert recordings done at New York's Jazz Gallery where the bandleaders are free to work out their ideas in ...
Living for a Song: Country Singers and Songwriters on BGO
by Jakob Baekgaard
In “Living for a Song," Hank Cochran, one of the most prominent and prolific songsmiths in country music, writes: “I have slept on life's highway / Muddy tears staining my face / A rhyme or two was a big payday / Living for a song." These lines get to the very essence of country music. Country ...
International Anthem: The Beat of the Past, Present and Future
by Jakob Baekgaard
Dis is da drum. Everything starts with a beat. A heartbeat. A rhythm. A language. Communication between people. Patterns in percussion. Tribal language. Rhythms reaching out. Since the beginning, rhythms have been an integral part of jazz. Swing is rhythm and rhythm is swing. The pace has changed. The patterns have changed. Acoustic ...
Samo Salamon: Three At Once (Freequestra, Trio, & Rotten Girlz)
by Mark Sullivan
The adventurous (and prolific) Slovenian guitarist Samo Salamon has outdone himself in both departments, releasing three albums in the same month. They are a diverse collection: an eleven-piece free jazz orchestra; a chamber trio of viola, acoustic guitars and drums; and a “free modern jazz punk avantgarde groove quartet" (Salamon's description), with a vocalist and the ...
John Dikeman And The Origin Of The Species
by Mark Corroto
If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...
Jazz at the Edge of New Age
by Jakob Baekgaard
Genres can be a way to attract listeners, but they can also repel them. In some circles, genres like new age, smooth jazz and fusion have a bad name, and their entry into jazz could be seen as something negative, but it can also be an enrichment of an art form that is able to embrace ...
Earth Songs: Music after the Age of the Anthropocene
by Jakob Baekgaard
One of the most fascinating things about art is its ability to imagine new worlds. Art can depict a world that is already there, but it can also conjure a dystopia or utopia, a future world around the corner. Whether art should concern itself with the world at all is an important question, but as the ...
Joost Lijbaart: Under The Surface
by Mark Sullivan
Dutch drummer Joost Lijbaart (known for his work with Dutch saxophonist Yuri Honing) first performed with this trio at the request of vocalist Sanne Rambags, along with guitarist Bram Stadhouders (known for his work with the Netherlands chamber choir, American drummer Jim Black and Norwegian vocalist Sidsel Endresen). At the time Rambags was twenty years old, ...
Three releases on Iluso Records
by John Eyles
Iluso Records was formed in 2013 by the Australian drummer Mike Caratti and the Madrid-born, New York-based guitarist Alvaro Domene, the two having met and become close friends in 2007 when they were both studying on the jazz course at Middlesex University, London, and maintained contact after they left London in 2011. They initially formed the ...
3x3: Piano Trios, vol. V
by Geno Thackara
Nick Sanders Trio Playtime 2050 Sunnyside Records 2019 Nick Sanders understandably sees some turbulence ahead at the midpoint of the century (not to mention the decades leading up to it). Disturbing as this cover may seem, though, he and a couple adventurous trio-mates make sure this speculative portrait keeps its ...
