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2

Article: Album Review

Mostly Other People Do the Killing: Blue

Read "Blue" reviewed by Maurizio Comandini


Una domanda sorge spontanea: ma con questo Blue cosa volevano dimostrare? Il gruppo di Moppa Elliott si è scelto da subito un nome molto intrigante, Mostly Other People Do the Killing, che di sicuro non li fa passare inosservati. Poi, dal 2003, il quartetto ha cominciato un percorso artistico molto interessante che per certi versi fa ...

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Article: Lyrics

Falso d'autore o geniale trovata? Il caso di "Blue" dei Mostly Other People Do The Killing

Read "Falso d'autore o geniale trovata? Il caso di "Blue" dei Mostly Other People Do The Killing" reviewed by Enrico Bettinello


Per provare a capire il nuovo lavoro dei Mostly Other People Do the Killing, senza limitarsi a notare solo “quanto sono bravi a rifare esattamente -o quasi-nota per nota la musica dell'originale Kind of Blue“ o a bollare l'operazione come una sorta di divertissement vagamente situazionista e fondamentalmente inutile, sono piuttosto interessanti le annotazioni che il ...

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Article: Album Review

Mostly Other People Do the Killing: Blue

Read "Blue" reviewed by Mark Corroto


Imagine coming home from work to find the furniture in your house was moved and say, your tooth brush is now on the other side of the bathroom sink. A few inches here, and a few inches there. Would you notice? Maybe yes, if you had been gone just a day. What happens in the same ...

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News: Recording

Sort of Blue: Clone or Art?

Sort of Blue: Clone or Art?

By this time on Tuesday, the jazz community will likely be in an uproar—or will at least be dumbfounded. Blue, a new album by the quintet Mostly Other People Do the Killing, has broken a taboo of sorts by recreating the Miles Davis Sextet's Kind of Blue, note for note. I write about the album (due ...

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Article: Album Review

Jon Irabagon Trio: It Takes All Kinds

Read "It Takes All Kinds" reviewed by Enrico Bettinello


Scegliere come altri vertici di un triangolo due musicisti pieni di storia e esperienza come Mark Helias (contrabbasso) e Barry Altschul (batteria) è una scelta che racconta già da sola molte cose. È la scelta di Jon Irabagon, sassofonista che abbiamo potuto ammirare anche in Italia negli ultimi anni, con i Mostly Other People Do The ...

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Article: Live Review

Moers Festival 2014

Read "Moers Festival 2014" reviewed by Henning Bolte


Moers Festival Moers , GermanyJune, 6-9, 2014 Moers is a small city of about 100,000 inhabitants at the periphery of the former mining and industrial Ruhrpott area in Germany, about 40 km from the Dutch border and near the cities of Duisburg and Düsseldorf. Moers Festival, a four-day annual event always ...

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Article: Multiple Reviews

Introducing the Polish Label For Tune

Read "Introducing the Polish Label For Tune" reviewed by Eyal Hareuveni


The polish For Tune label was founded in 2013 and has already managed to release 30 albums that feature some of the lesser known yet intriguing Polish outfits. The three outfits presented below all feature a fresh, unconventional perspective on the jazz idiom, its legacy and its inclusive current and future sonic language. The label succeeded ...

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Article: Album Review

People: 3xaWoman: The Misplaced Files

Read "3xaWoman: The Misplaced Files" reviewed by Troy Collins


3xaWoman is the third genre-defying album from the avant-rock band People and the group's very first recording as a trio for the Telegraph Harp imprint. Originally founded by vanguard guitarist Mary Halvorson and irrepressible drummer Kevin Shea, the intrepid duo's prior efforts were issued by I And Ear Records. Joined by bassist Kyle Forester, this session ...

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Article: Extended Analysis

Mostly Other People Do the Killing: Red Hot!

Read "Mostly Other People Do the Killing: Red Hot!" reviewed by Dave Wayne


I've been too busy enjoying the music of Mostly Other People Do The Killing (MOPTDK) to realize how controversial they've become. If you doubt their ability to rile the jazz world, all you have to do is post one of their videos on your Facebook page and wait for the ensuing kerfuffle to begin. The core ...

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Article: Extended Analysis

John McNeil: Hush Point

Read "John McNeil: Hush Point" reviewed by Dave Wayne


Anyone who has played music with others on a regular basis understands inherently that, during a live performance, the sounds emanating from the instruments themselves have a way of clashing or canceling each other out. It's all in the frequencies. Bass and toms get mixed up on the low end, cymbals can kill a clarinet or ...


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