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200

Article: Album Review

Brandon Wright: Boiling Point

Read "Boiling Point" reviewed by Raul d'Gama Rose


The appeal of saxophonist, Brandon Wright comes fast, bearing a rather lyrical swagger. This young tenor player shows plenty of confidence--even cockiness--and a mature attitude on Boiling Point. Wright has a full, round tone and a forthright attack; his fingering is deft, almost like a stage magician, and it bodes with it a whispering glissando in ...

251

Article: Album Review

Brandon Wright: Boiling Point

Read "Boiling Point" reviewed by C. Michael Bailey


The first thing conspicuous about Brandon Wright's recording Boiling Point is his rhythm section, composed of pianist David Kikoski, bassist Hans Glawischnig and drummer Matt Wilson. A second curiosity is exactly who this precocious young saxophonist is to have such a rhythm section. Wright, the 2009 ASCAP Foundation Young Jazz Composer award recipient originally from Woodcliff ...

1,430

Article: Interview

Jeremy Pelt: A Man of Honor

Read "Jeremy Pelt: A Man of Honor" reviewed by Esther Berlanga-Ryan


For the younger generation of jazz musicians, those in their thirties today, the path is not always as smooth and easy as we may think it is. Nobody likes to live in anybody's shadow. Jazz is populated with giants who left their mark and those who look up to them in order to be able to ...

765

Article: Live Review

2010 Portland Jazz Festival

Read "2010 Portland Jazz Festival" reviewed by Lloyd N. Peterson Jr.


The Portland Jazz Festival is now in its 7th year under the artistic direction of Bill Royston. And at this point, it's pretty safe to say that this is a festival that has earned it's due as one of the most creative festivals that has not only survived the current economic downturn but has done so ...

1,574

Article: Interview

Craig Handy: The Busiest Man In Jazz

Read "Craig Handy: The Busiest Man In Jazz" reviewed by Robert Dugan


Saxophonist Craig Handy is a musician's musician. Those “in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviser—expansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set ...

1,214

Article: Interview

Joe Locke: Versatile Vibes Master

Read "Joe Locke: Versatile Vibes Master" reviewed by R.J. DeLuke


Jazz has a history of inclusiveness, accepting the influences of music from around the globe. It also knows no boundaries when it comes to instrumentation, accommodating all kinds of axes if they are played in the spirit of jazz. Rufus Harley even brought the unlikely bagpipes into the lexicon, playing the sound of surprise on the ...

568

Article: Live Review

Conrad Herwig's Latin Side All Star Band: Intensity On A Cold City Night

Read "Conrad Herwig's Latin Side All Star Band: Intensity On A Cold City Night" reviewed by Robert Dugan


Conrad Herwig's Latin Side All Star BandThe Blue NoteNew York, New YorkJanuary 11, 2010“Que Viva Miles, 'Trane, Herbie & Wayne."For more than a decade, trombonist Conrad Herwig has created a highly identifiable niche in contemporary jazz with his series of Latin Side CDs, which began with the startling The ...

1,287

Article: Interview

Bill Royston: The History of a Festival

Read "Bill Royston: The History of a Festival" reviewed by Lloyd N. Peterson Jr.


It is a passion and responsibility that no one takes as serious as they do; and they do it knowing that little, if any acknowledgment will come their way. They are the festival promoters and artistic directors of this music we call Jazz.And though it's a music that has always had its up and ...

496

Article: Album Review

Seamus Blake: Bellwether

Read "Bellwether" reviewed by Robert Dugan


This is a great period for tenor players, with some of the best in our midst: Chris Potter, Jimmy Greene, Donny McCaslin, Marcus Strickland, and Seamus Blake, among others. Surfacing in the Mingus Big Band during the nineties, Blake's aggressive edginess was impressive in a group which took no prisoners. The tenor saxophonist more than held ...

360

Article: Album Review

Wayne Escoffery: Uptown

Read "Uptown" reviewed by Joel Roberts


On Uptown, his fifth album as a leader, the impressive 34-year-old tenor saxophonist {Wayne Escoffery employs an old-fashioned soul jazz lineup of sax, Hammond B-3 organ, electric guitar and drums. But don't expect to hear the sort of bluesy “uptown" jams associated with classic soul jazz tenors like Gene Ammons, Eddie “Lockjaw" Davis or Stanley Turrentine. ...


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