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Miles Okazaki: Figurations
by Raul d'Gama Rose
Guitarist Miles Okazaki's Figurations is a fascinating document of how musical invention takes place on the spur of the moment. It is not a mad conglomeration of notes that come out in jagged clusters, but a mellifluous harmolodic excursion by four spectacular musicians as they begin to create music on each of their instruments, with their ...
Miles Okazaki: Figurations
by Mark F. Turner
Figurations is the final release in Miles Okazaki's three volume compositional cycle. Its trajectory is based on forward-thinking ideas Okazaki began on his self-produced 2006 debut Mirror, and continued on the nearly sixty-minute Generations (Sunnyside, 2009), which was recorded in the studio in one take. While no less demanding, this recording was commissioned and performed in ...
Rhythmic Foundations With Miles Okazaki
Guitarist Miles Okazaki, long time collaborator with Chris Potter, Steve Coleman and many others to start a weekly rhythm class at the New York Jazz Workshop. The class will be held In New York every Thursday evening from 7 to 9 pm at 853 Rehearsal Studios, 853 7th Avenue, (between 54th and 55th street). This course ...
Patrick Cornelius: Maybe Steps
by Dan Bilawsky
Fierce (Whirlwind, 2010) found alto saxophonist Patrick Cornelius in fine, feisty form, as he worked through his own winning compositions in a piano-less trio with occasional guests format, but he's following a more reflective line of musical thought with a stellar quintet on Maybe Steps. This album is a mostly-original set of music with pensive pieces ...
Patrick Cornelius: Maybe Steps
by Bruce Lindsay
Maybe Steps is alto saxophonist Patrick Cornelius' third album, and his first for the excellent Los Angeles-based Posi-Tone Records. He's joined by the talented rhythm section of pianist Gerald Clayton, bassist Peter Slavov and drummer Kendrick Scott in a graceful and melodically strong performance, mostly of his original tunes. Cornelius' compositions swing gracefully, ...
Patrick Cornelius: Maybe Steps
by Mark F. Turner
With the talent to convey thought-provoking stories through his music, Patrick Cornelius pens a fresh chapter of personal and emotive composition in Maybe Steps, his third release as a leader. The recording follows the alto saxophonist's well-received debut, Lucid Dream (Self Produced, 2006) and the more groove-oriented Fierce (Whirlwind Recordings Ltd., 2010), both filled with robust ...
Jen Shyu and Theo Bleckmann: Breaking the Song Barrier
by Daniel Lehner
Before Robert Moog came out with the first synthesizer, before Adolphe Sax invented his famous reed instrument, before the trumpets sounded at Jericho, even before the world's ancient tribes tightened their animal skins to make drums, humanity's first instrument was the voice. Not that this is of particular consequence to Theo Bleckmann. To me, that argument ...
It's Trumpet Time with the Festival of New Trumpet at Vision Festival 16
Festival of New Trumpet makes its contribution to Vision Festival 16 and offers a detailed interview with Ted Daniel including this summary below. FONT: What is your relationship to King Oliver's playing? TD: King Oliver's improvisations were blues based, rhythmically intricate and his sound, which he constantly worked on, was highly personal and original. He was ...
Dan Weiss: Jhaptal Drumset Solo
by Dan Bilawsky
The use of Indian rhythms in jazz--in some way, shape or form--has become somewhat commonplace. While spicing up some improvised music with the addition of a sitarist or tablaist might be enough of an Indian-based excursion for jazz musicians who merely want to gloss over the surface of possibility, drummer Dan Weiss is no such dabbler. ...
Winter Jazzfest, New York City, Day 2: January 8, 2011
by Daniel Lehner
Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 Kirk Knuffke Quartet Trumpeter Kirk Knuffke certainly has an enthusiasm for the hot" jazz of the 1920's, even if it isn't straight from the source. Knuffke's quartet--co-fronted by trombonist Brian Drye, and backed by ...


