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Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
Roy McCurdy: From Cannonball to the Rochester Music Hall of Fame
by Scott Gudell
When we placed a call from New York to Los Angeles in the early part of 2021, the articulate and vibrant drummer Roy McCurdy answered and quickly connected us back to the 1950s. He told us about his hometown of jny: Rochester, New York, his early days performing with Chuck Mangione and Gap Mangione and how ...
Dan Wilensky: All In All
by Dan McClenaghan
Saxophonist Dan Wilensky--who has played with everyone from Ray Charles to David Bowie to Jack McDuff-- offered up his take on some familiar pop tunes (The Beatles, The Youngbloods), a touch of George Gershwin and some Sammy Cahn on his 2018 offering, Good Music (Polyglot Music). Now it is (mostly) all Wilensky originals, the result of ...
Chad McCullough: Forward
by Dan McClenaghan
Since his excellent recording debut under his own name, 2009's Dark Wood, Dark Water (Origin Records), trumpeter Chad McCullough has co-led a handful of forward-leaning discs with Belgian pianist Bram Weijters and one with Slovakian pianist Michal Vanoucek, in addition his work as sideman and his contributions to a few leaderless ensemble sets. Forward is just ...
David Lord: Forest Standards Vol. 2
by Troy Dostert
Although his many years spent on the expansive plains of Wichita, Kansas, wouldn't make it likely that guitarist David Lord developed an obsession with the darker recesses of forest life, his music certainly conveys a deep appreciation of that somewhat otherworldly realm. On his Forest Standards Vol. 1 (BIG EGO Records, 2018) and current Vol. 2 ...
Azar Lawrence Has Paid His Dues...Two times
by Chuck Koton
Tenor and soprano saxophonist Azar Lawrence has been one of the most dynamic and spiritually-charged reed players of the post-John Coltrane generation. Lawrence forged his sound in the fires of the Elvin Jones and McCoy Tyner bands in the 1970s and, for nearly five decades, he has performed and recorded with the best musicians in the ...
I Love Being Here With You - Happy 100th Birthday to Miss Peggy Lee
by Mary Foster Conklin
The final broadcast of the month included new releases from Sherrie Maricle and the 3D Jazz Trio, Kari van der Kloot, Shelly Rudolph and Tania Grubbs, with birthday shout-outs to Peggy Lee (100 !), saxophonist Adison Evans, pianist Yoko Miwa, trumpeters Clora Bryant, Miles Davis and Samantha Boshnack. Thanks for listening and please continue supporting all ...
Fabio Morgera: tradizione e progresso
by Angelo Leonardi
Tornato a vivere in Italia alcuni anni fa, dopo un lungo periodo di studio e attività professionale negli Stati Uniti, Fabio Morgera è uno dei massimi trombettisti della sua generazione e s'è imposto per lo stile estroverso, caratterizzato da intenso feeling e marcato groove. Eclettico per natura, alla leadership in progetti di taglio contemporaneo—anche intrisi di ...
Remembering Wallace and Manu
by Bob Osborne
On this show we pay tribute to the recently departed Wallace Roney and Manu Dibango. There's a couple of tracks from Manu and selection of highlights from Wallace picking up on work associated with his mentor Miles Davis. I also feature the recent album from guitarist Tomas Janzon in a great quartet, and there's ...
James Senese: Un Jazzista a metà
by Paolo Marra
Quando tra gli anni ottanta e novanta James Senese andò a suonare negli Stati Uniti i musicisti americani non credettero al fatto che fosse napoletano scambiandolo, per il suo modo unico di suonare, per un sassofonista di Chicago. Un aneddoto che ben fa capire la capacità di James Senese di essere allo stesso tempo portavoce della ...
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