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Wadada Leo Smith / Douglas Ewart / Mike Reed: Sun Beans Of Shimmering Light
by John Sharpe
Three significant forces spanning two generations of the forward-thinking Association for the Advancement of Creative Musicians meet in a poised recital on Sun Beans Of Shimmering Light. Although recorded in 2015 at drummer Mike Reed's Constellation arts space in Chicago, the concert's genesis lies some five years earlier and 700 miles to the east.
Sam Rivers: Braids
by John Sharpe
With the fourth issue in its Sam Rivers archival series, the NoBusiness imprint has unearthed a cracking concert recording of a terrific quartet, completed by bassist Dave Holland, drummer Thurman Barker and tubaist Joe Daley. Very few can match Rivers' breadth of experience, which includes not only with leading lights of the 1960s New Thing like ...
EUPHORIUM_freakestra: soundz offfe drzk wähuh
by Mark Corroto
The funny thing about DNA is that just when scientists believe it to be the identifiable signature of all living things, along comes CRISPR gene editing. This technology allows an operator to edit the basic genetic material of an organism, much like the music of Oliver Schwerdt's EUPHORIUM_freakestra. We're not talking science fiction here, more like ...
John Coltrane: An Alternative Top Ten Albums
by Chris May
Miles Davis once said that you could recite the history of jazz in just four words: Louis Armstrong, Charlie Parker. To that you need to add two more: John Coltrane. A giant during his lifetime, Coltrane continues to shape jazz and inspire musicians decades after he passed. No other player has come remotely close to eclipsing ...
Jazz in Cleveland: A Storied Past, Surviving Present, and an Optimistic Future
by Matthew Alec
Cleveland, Ohio. Having lived here for my entire life, the word city" does not quite describe what Cleveland truly is. There is of course a downtown urban area, one filled with noteworthy neoclassic architecture and an overall stately appearance that is often overlooked by those who live here. That said, most Clevelanders" don't actually live within ...
Lorne Lofsky: This Song Is New
by Jack Bowers
Over the years the guitar has earned a unique position in the annals of jazz. At times strident, ear-splitting and generally distasteful, at others one of the loveliest, most amiable and pleasing instruments in any circumstance, especially when placed in the capable hands of a master such as Canada's Lorne Lofsky. This is the guitar as ...
Avishai Cohen: Two Roses
by Dan McClenaghan
Avishai Cohen dreamed big, with images of symphony orchestras dancing in his head. The Israeli-born bassist maneuvered that dream into a reality with Two Roses, a recording that finds Cohen in the company of the ninety-two piece Gothenburg Symphony Orchestra, in addition to his jazz cohorts, Azerbaijani pianist Elchin Shirinov and New Jersey born and bred ...
Giancarlo Tossani e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica Emozione e riflessione, equilibrio tra scrittura e improvvisazione (così dicono...). La qualità che desidero nei musicisti che suonano con me Affinità musicale e umana, cos'altro sennò? Come musicista, il momento in cui sono stato più felice Quando ho scoperto che si poteva ...
Hasaan Ibn Ali: Metaphysics: The Lost Atlantic Album
by Karl Ackermann
The hard bop, Philadelphia pianist Hasaan Ibn Ali had a short, troubled life. On what was believed his only recording, The Max Roach Trio Featuring the Legendary Hasaan (Atlantic, 1965), the drummer placed Ali's full image front and center, his name in a larger font on the LP cover. Within the Philadelphia jazz community, he was ...
Christopher Burnett: The Standards, Vol. 1
by Kyle Simpler
Modern jazz can certainly take a variety of different forms, but standards still remain the foundation for many players. With The Standards Vol. 1, Christopher Burnett brings modern and traditional elements together in an excellent meeting. His approach is to bring a traditional approach to each song, whether it's a well-loved favorite or an original composition. ...


