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Douyé: The Golden Sèkèrè
by Jim Worsley
Nigerian-born singer Douye has integrated the essence of Western jazz with the polyrhythmic sounds of African percussion. In doing so, she has spun the incomparable musical and lyrical genius of The Great American Songbook off its axis. These precious standards have been rearranged and reimagined hundreds if not thousands of times over the years. Douye was ...
Busting Myths in Jazz History: Focus on the Music
by Rob Foster
In the tradition of providing the basis of a liberal arts education, it is common for institutions of higher education in the United States to offer some type of music appreciation course in the undergraduate curriculum. In some instances, this may be an elective towards fulfilling a required number of credits within a larger category, such ...
Tu-Ner: T1-Contact Information
by Geno Thackara
After so many years crossing paths in the realm of experimental-industrial-groove-jazz-rock weirdness, it would have been more surprising if these three did not all join forces at some point. Pat Mastelotto and Trey Gunn build on a decades-long history in multiple King Crimson rhythm sections as well as their own duo called TU. Touch guitarist Markus ...
Manuel Valera Quintet: Vessel
by Chris May
Cuban born and raised, pianist and composer Manuel Valera moved to the US in 1994, attending high school in Florida before moving to New York City in 2000 to study at the New School. His classmates included Robert Glasper, Mike Moreno, Michael Rodriguez, Marcus Strickland and E.J. Strickland. Fast company. Valera's career as ...
Cecil Young: On Coming Home
by Paul Rauch
The long journey home holds special meaning for all those that brave the elements of their past, and engage them with the clear identity of the present. This is certainly the case for New York-based trumpeter Cecil Young as he sets autumn flight for his native Seattle to perform at the newly founded Seattle Jazz Fellowship. ...
Jack DeJohnette: Sorcery
by Scott Gudell
Jack DeJohnette gets around. The Chicago born drummer was drawn to R&B and bebop in the late 1950s and eventually toyed with a more avant-garde jazz sound when he spent some time with the esoteric Sun Ra. It seems like DeJohnette played in the big leagues almost from the beginning since, by the time he moved ...
Litchfield Jazz Festival 2023
by Paul Reynolds
Litchfield Jazz Festival The Frederick Gunn School Washington CT July 28 to July 30, 2023 It's fitting that a festival set in a location as venerable-sounding as the Litchfield Hills deeply respects tradition. That commitment starts with the music styles it presents. While the Litchfield Jazz Festival isn't averse to going ...
Dan Rosenboom: Polarity
by Jerome Wilson
On this album, trumpeter Dan Rosenboom and his quartet engage in a free-wheeling session which comes off as a modern update of Wayne Shorter releases such as The All-Seeing Eye (Blue Note, 1966). He engages in playful genre-crossing and experimentation here which incorporate the sensibilities of hip-hop and ambient music as well as modern jazz.
Funkwrench Blues: Soundtrack For A Film Without Pictures
by Chris May
Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. ...
A Conversation with Don Braden
by AAJ Staff
This interview was first published in two parts at All About Jazz on May 1999. In this interview, we chat with Don Braden about his views on MP3 files, his relationship with Bill Cosby, the impact Kenny Kirkland had on his latest album for RCA Victor, Fire Within, and a host of other related ...
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