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Tierney Sutton: An Instrumentalist’s Singer
by Mathew Bahl
"Jazz demands something of you," says Tierney Sutton. The Los Angeles based singer is discussing the challenge of selling complicated, improvised music in a culture addicted to simple, pre-packaged formulas. “Being barraged in the media teaches people not to engage, not to seek great art, not to listen with their own ears, not to ...
Paul Tynan & Aaron Lington: Bicoastal Collective: Chapter Six
by Jack Bowers
In jazz terms, trumpeter Paul Tynan and baritone saxophonist Aaron Lington's Bicoastal Collective is a long-running series, as this marks the sixth recording produced during their sixteen-year partnership. As Chapters One to Five were splendid, it might have been advisable to close the book there. However, Tynan and Lington have chosen to forge ahead, and so ...
Evan Parker / Matthew Wright, Trance Map+ with Peter Evans and Mark Nauseef: Etching the Ether
by Mark Corroto
Humans have seemingly always feared new technologies. We're not even talking about AI and ChatGPT. When the first electric light bulb was invented, folks worried it would end civilization as they knew it. Artificial light certainly changed how late one stayed up at night. On the other hand, it also allowed people to find their keys ...
Dena DeRose: No More Detours Ahead
by Mathew Bahl
A pianist by instinct, a jazz musician by choice and a singer by accident, Dena DeRose has emerged as one of the most captivating and distinctive new voices in mainstream jazz. Anyone who has not heard her music should not be misled by her status as a singer/pianist specializing in the Great American Songbook. DeRose is ...
Bill Evans Trio: At The Village Vanguard 1961 Revisited
by Mark Corroto
Imagine yourself in Greenwich Village June 25, 1961. You are in attendance at a small pie shaped club called the Village Vanguard run by Max Gordon. This is before it was to be crowned as a jazz holy ground. Sonny Rollins had recorded his famous A Night At The “Village Vanguard" (Blue Note, 1957). John Coltrane ...
The Jazz Historian: John Edward Hasse
by B.D. Lenz
Jazz is not simply a style of music; it is also a culture. The impact of this cultural force has had many ups and downs throughout the last century but, undeniably, has been felt worldwide across all nations and all languages. With such a storied past, it's important that an account of its beginnings and those ...
Michael Ragonese: Stracci
by Dan McClenaghan
Pianist Michael Ragonese is called Rags, a nickname given to him in childhood that stuck. His sophomore effort is entitled Stracci which means rags in Italian--a more musical sound than its English equivalent. It is a piano trio outing, a top-notch one. Ragonese's musical backstory is a common one. He began in classical studies ...
Henry Threadgill, Dan Weiss, Gordon Grdina and More
by Jerome Wilson
By chance, this program contains several tributes to the music of Tim Berne, Dave Frishberg, and Gerry Mulligan. The musicians actually heard on the show include Henry Threadgill, Gordon Grdina, Claire Martin, and Dan Weiss. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of ...
The Gerry Mulligan 1950s Quartets
by Ian Patterson
The Gerry Mulligan 1950s Quartets Alyn Shipton240 Pages ISBN: 978-0197579763 Oxford University Press 2023 Several are the biographies of Gerry Mulligan, arguably jazz's most celebrated baritone saxophonist. None, however, have focused as specifically and as closely as this tome does on the quartets with which Mulligan made his name ...
Doug MacDonald Trio: Edwin Alley
by Jack Bowers
Los Angeles-based guitarist Doug MacDonald, busy as ever, is comfortable in any setting, from big band to solo. On Edwin Alley, MacDonald leads a trio (Mike Flick, bass; Kendall Kay, drums) through eight of his bright and well-drawn original compositions and one standard, the amorous entreaty “You'd Be So Nice to Come Home To." The album ...
