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Dadi: Bem Aqui
by Raul d'Gama Rose
Eduardo Magalhães de Carvalho, otherwise known as Dadi, has remained in the shadows of Música Popular Brasileira (MPB) also called the Tropicalia Movement for much longer than others of his ilk. While Caetano Veloso, Gilberto Gil, Chico Buarque do Hollanda, Gal Costa, Bethânia and several other artists led from the front of various ensembles, Dadi appeared ...
Jeff Dayton-Johnson's Best of 2009
by Jeff Dayton-Johnson
Jazz Man of the Year honors go without a doubt to Rafael Gilbert of Spain, who attended a performance by Larry Ochs of the ROVA Saxophone Quartet at the Sigüenza Jazz Festival in December, and called the police to report that, whatever it was that Ochs was playing, it wasn't jazz. Ochs was asked to play ...
Bill Dixon: Excerpts from Vade Mecum
by AAJ Staff
Introduction by AAJ Contributor Clifford Allen. It is rare in the climate of this music to be presented with a view of an artist that is truly multifaceted, even though the collected works of most artists operate at a number of levels and, on occasion, in a number of media. Bill Dixon is probably best known ...
Charlie Banacos: Recollections of a Legend
by Mike Brannon
"You don't know what you've got 'til it's gone" --Joni Mitchell “There are a dozen ways to hit a key." --Charlie Banacos How do you say goodbye to someone who truly changed you; someone who you know caused you to be a better person just for having known them? How do you say goodbye ...
Matt Vashlishan: No Such Thing
by John Kelman
With more and more young players releasing their debuts, it's no small challenge to filter one's way to the top of the growing pile of CDs released each month. Saxophonist Matt Vashlishan couldn't have chosen a better route than on No Such Thing. Recruiting three-fourths of saxophonist Dave Liebman's stellar group--not just one of jazz's hardest ...
Louie Shelton: In Session
by Alan Bryson
Hundreds of millions of people have heard him play without having heard of him. A veteran session guitarist, Louie Shelton played on a slew of million-selling records during his three decades in Los Angeles. His credits include female vocalists such as Ella Fitzgerald, Sarah Vaughan, Peggy Lee, Barbra Streisand, Diana Ross, Gladys Knight, and Whitney Houston; ...
John Geggie: Unexpected Conversations
by John Kelman
Most cities have them: musicians who act like a lightning rod, focusing and driving their jazz scenes. In Ottawa, Canada, bassist John Geggie has been one of those significant focal points for two decades, but in particular over the past ten years. He's one of the founding organizers and faculty members of Jazzworks which, amongst other ...
John Turville Trio: Midas
by Chris May
If the carefully composed, monochrome cover art of the John Turville Trio's debut album suggests the ECM label's house style, the coincidence is appropriate. Midas is high-end piano trio jazz, beautifully recorded (in Italy). It consists in the main of tunes written by pianist Turville, is shot through with muscular lyricism, and resonates with the work ...
Matthew Shipp: Traversing The Regions of the Mind
by Lyn Horton
On May 17, 2009, at 6 pm, Matthew Shipp walked through the front door of Roulette, a performance venue on the Lower East Side in New York City. His face appeared no more or less expressive than it normally does. He is wont to demonstrate his feelings facially, except through laughter and an occasional smile. On ...
Christian Scott: Yesterday You Said Tomorrow
by Chris May
Trumpeter Christian Scott started raising expectations in 2006, with Rewind That (Concord), and hit the spot again in 2007 and 2008. Those earlier promises of greatness are clinched by Yesterday You Said Tomorrow. Scott's fourth Concord album is a gym-ripped amalgam of edgy jazz, hip hop and rock rhythms, off-kilter ostinatos, intimate rhapsodies and full-on passions, ...
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