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Wallace Roney: If Only for One Night
by John Kelman
Wallace Roney's six-year association with HighNote--beginning with Prototype (2004), followed by Mystikal (2005), and culminating with Jazz (2007)--has allowed the trumpeter to amass a body of work far more indicative of where he's always wanted to be than his largely mainstream run with Muse in the early 1990s. If Only for One Night--culled from a four-night ...
Michele Giuliani: Widespread Roots
by Achille Brunazzi
Pianist Michele Giuliani--born in Baritone--is one of the emerging talents of the Italian jazz scene. After years of constant experimentation--from progressive rock music to funk and jazz--the 34 year-old completed Roots (Zeitgeist, 2009), the sum total of all his musical experiences, named for the diversity of influences and cultures featured in Giuliani's music. Giuliani ...
The State of The Piano Trio 2010 (Pt.1): Helge Lien Trio and Trichotomy
by C. Michael Bailey
The piano trio is a durable and fertile format for musical expression. It is the jazz equivalent of classical chamber music--that is, music produced by a small number of instruments, small enough to be accommodated in close confines. While the piano trio can come in many flavors, the typical one is piano, bass and drums (aka ...
Icons Among Us: Jazz in the Present Tense (Theatrical Version)
by John Kelman
Icons Among Us: Jazz in the Present Tense (Theatrical Version)IndiePix Films2009 Distilling a groundbreaking, four-part, four-hour television documentary--one which finally examined the evolution of jazz in a contemporary, rather than purely historical, context--into a shorter theatrical version is no mean feat. When Icons Among Us: Jazz in the Present Tense aired on ...
Mike Reed: The Drum Thing
by Gordon Marshall
There is not a name yet for what Mike Reed does on drums. Elvin Jones created polyrhythmics; Rashied Ali, multi-directionalism. Reed is delivering something related but distinct. It has as much to do with tonal complexity as with keeping the beat, but the complexity goes beyond that, into a recombination of the many drumming styles of ...
Iron Kim Style: Iron Kim Style
by Nic Jones
It could be argued that the music Miles Davis was cutting about forty years ago still casts a shadow. Iron Kim Style stands in its shade, and for all of the original, offbeat stuff going on it's hard to shake the impression. According to the slipcase, all the music was freely improvised, which might be a ...
Jazz Legends Return to Historic Bohemian Caverns in Washington, DC
Washingtonians and visitors to the nation's capital can feel the past and glimpse the future of jazz music by visiting historic Bohemian Caverns, where a rich jazz experience awaits. A jazz spot whose roots date back to 1926, Bohemian Caverns is the city's oldest jazz club and a must-hear see jazz destination. It's located on Washington's ...
Rudresh Mahanthappa's Indo-Pak Coalition: Apti
by Karl Ackermann
Jazz has been a well-established genre in India since the 1940s. American talent played top venues in large cities like Bombay in the '50s, and the cultures interrelated within India's natural jazz evolution from its early stages. Traditional Indian music uses single notes rather than the intricate chords typical in western jazz, so when saxophonist Rudresh ...
The Jazz Book
by David Rickert
The Jazz Book Joachim-Ernst Berendt and Gunther Huesmann Softcover; 816 pages ISBN: 155652823X Lawrence Hill Books 2009 The first edition of The Jazz Book came out in 1952, the earnest work of European jazz scholar Joachim-Ernst Berendt. At the time, of course, saxophonist Charlie Parker and ...
Peter Asplund: Asplund Meets Bernstein
by Chris Mosey
This reverent but highly accessible and creative tribute to Leonard Bernstein, by Swedish trumpeter Peter Asplund, will undoubtedly be a leading contender for his homeland's next Golden Record (Gyllene Skivan) award. It's the most important jazz album to emerge from the Nordic Area in a good long while. Asplund's collaboration with Mats Hålling--a ...
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