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"Lone Wolf" Finds Plenty to Chew On
by Jack Bowers
With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...
Meet Carl L. Hager
by AAJ Staff
I currently live in: Los Angeles, CAI joined All About Jazz in: 2009What made you decide to contribute to All About Jazz? I've been a writer and editor most of my life, and I love jazz. One day after I'd been reading All About Jazz for a few months, I inquired to ...
David Fiuczynski: In the In Between
by Daniel Lehner
The most recent compositional premiere by guitarist David Fiucyznski has a title that almost manages to sum up his entire sphere of influence. “Flam! Pan-Asian Microjam for J Dilla and Olivier Messiaen" premiered at Berklee College of Music in 2012 and was inspired by a geographically and temporally enormous range of styles. Fiuczynski describes the piece ...
Fontanelle: Vitamin F
by Dave Wayne
The sheer improbability of Vitamin F alone is almost reason enough to savor it. But this is one heck of a great jazz recording, so Fontanelle's back story is worth pondering. Formed out of the ruins of Jessamine, one of the few Seattle bands from the mid-1990s to buck the grunge craze, Fontanelle recorded three albums ...
Orchestre National de Jazz: Piazzolla!
by Jeff Dayton-Johnson
The Argentinian composer, bandoneón player and tango revolutionary Astor Piazzolla (1921-1992) was no stranger to jazz. As a music student in Paris in the mid-1950s, he was inspired by the joyous improvisation he witnessed in the effervescent Left Bank jazz scene. He would go on to collaborate with baritone saxophonist Gerry Mulligan (Summit/Reunion Cumbre, Erre, 1974) ...
Marcos Pin Factor-E Reset: Barbanza
by Bruce Lindsay
Guitarist and composer Marcos Pin's seventh album, Barbanza, can readily be considered an Iberian project. The musicians are all from Spain, Pin's compositions and arrangements reflect the feelings evoked by his current homeland on the country's Barbanza Peninsula and the album was recorded in Portugal (although it was mixed and mastered in the USA). The ensemble, ...
Dave Holland: San Francisco, CA, February 7-10, 2013
by Harry S. Pariser
Dave Holland ResidencySan Francisco Jazz CenterSan Francisco, CAFebruary 7-10, 2013 Dave Holland was beaming ear to ear. And he had every reason to be, as the 66-year-old bassist was center stage helping to inaugurate a magnificent new hall, the showplace of the San Francisco Jazz Festival. The past two weeks had ...
Jeremy Pelt: Water and Earth
by Glenn Astarita
Change is often a precursor for innovation. After many years of straddling modern mainstream, and progressive jazz via his burgeoning solo career and first-call session duties, trumpeter Jeremy Pelt leans a few notches toward the jazz-fusion spectrum on Water and Earth. However, the artist doesn't take matters to the extreme and serves up a compellingly divergent ...
Conrad Herwig: There's Nothing Else
by Bob Kenselaar
Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...
Johannesson, Schultz and Berglund, featuring Jacob Karlzon: Cause And Effect
by Chris Mosey
Events from a momentous three-year musical period greatly influenced this album: in 1967 the death of John Coltrane; the release, two years later, of In A Silent Way (Columbia, 1969) by his former boss, trumpeter Miles Davis; and the demise of rock icon Jimi Hendrix in 1970. The line-up is Max Schultz, one ...
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