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Nicolas Masson / Roberto Pianca / Emanuele Maniscalco: Third Reel
by John Kelman
Few would argue that, while the standard touchstones of contemporary jazz--names like saxophonist John Coltrane, pianist Bill Evans, bassist Charles Mingus, and trumpeter Miles Davis--remain amongst the many cited when contemporary artists are asked for their influences, younger influences have also emerged in the new millennium, names like saxophonist Chris Potter, guitarist Kurt Rosenwinkel and pianist ...
Jazz Musician of the Day: Miles Davis
All About Jazz is celebrating Miles Davis' birthday today! Throughout a professional career lasting 50 years, Miles Davis played the trumpet in a lyrical, introspective, and melodic style, often employing a stemless harmon mute to make his sound more personal and intimate. But if his approach to his instrument was constant, his approach to jazz was ...
The Gil Evans Project directed by Ryan Truesdell at Jazz Standard
by Dan Bilawsky
The Gil Evans Project directed by Ryan TruesdellJazz StandardNew York, NYMay 17, 2013 Somewhere along the way, the centennial of a notable jazz figure's birth became a major cause for celebration and reflection. Unfortunately, these celebrations have occasionally become last hurrahs for the dearly departed, as their life's work fades ...
International Jazz Day: Istanbul, Turkey April 30, 2013
by Josef Woodard
International Jazz DayIstanbul, TurkeyApril 30, 2013At a morning press conference opening the 10th annual Panama Jazz Festival in January, 2013, a long table was peopled by dignitaries and musical dignitaries. Festival highlight, saxophonist Wayne Shorter sat in the center (almost like Jesus in the Last Supper configuration), flanked by the ambitious and outspokenly ...
Art Strike!
by Mark Corroto
"Would you support an art strike?" That's the question I've been asking musicians for the past few months. Will you agree to stop writing and performing music for one year?" In 1990 the London artists Stewart Home and Mark Pawson proposed that all artists cease to make, exhibit, distribute, sell, or discuss their work" for three ...
Keith Jarrett / Gary Peacock / Jack DeJohnette: Somewhere
by John Kelman
It's been four years since a recorded peep has been heard from pianist Keith Jarrett's Standards Trio, despite continuing to perform a few select dates each year. But even its last few ECM releases--2009's Yesterdays, 2007's My Foolish Heart and 2004's The Out-of-Towners--were all culled from a clearly fruitful 2001, making it well over a decade ...
Arve Henriksen: The Trumpet is My Pen
by Nenad Georgievski
Norwegian trumpeter Arve Henriksen is one of a handful of creative upstarts, like trumpeters Nils Petter Molvær or Erik Truffaz, who are embracing electronics and the improvisational side of jazz in their music. Henriksen's music is an otherworldly amalgamation of different and sometimes opposing elements, with imaginative soundscapes built on the tradition that trumpeter Miles Davis ...
Babel Label: More Songs from the Tower of Sound
by Jakob Baekgaard
In a time of financial crisis in the world in general and in the music business in particular, the natural thing to do would be to cut down the number of releases and concentrate on safe and palatable productions that cater to a major audience with a predefined taste. However, Oliver Weindling's Babel Label has always ...
Bray Jazz Festival 2013
by Ian Patterson
Bray Jazz FestivalBray, County WicklowIrelandMay 3-5, 2013 For many years, the picturesque town of Bray's main claim to fame has been that it's the oldest inhabited seaside town in Ireland. That is, it was the main claim to fame until Bray local lass Katie Taylor won boxing gold at the 2012 ...
Nicholl and Farquharson: Della by Moonlight
by C. Michael Bailey
Keyboardist Matthew Nicholl and bassist Michael Farquharson assemble an adult contemporary jazz suite on Della by Moonlight. To be clear, this is not smooth jazz, and while smooth jazz has its charms--accessibility and listening ease being two of them--Nicholl and Farquharson's music requires a little more than just passive listening. The additional attention is more than ...

