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Fail Better!: Zero Sum
by Eyal Hareuveni
The name of the Portuguese quintet Fail Better! is inspired by Samuel Beckett who advised: “ever tried, ever failed, no matter, try again, fail again, fail better." This saying, together with the one of Miles Davis who claimed that there are no mistakes in music, capture the very essence of the process of free improvisation. And, ...
Sonny Rollins + Thelonious Monk
One of jazz's big turning points came on October 25, 1954, when Sonny Rollins altered the direction of the tenor saxophone at Rudy Van Gelder's studio in his parents' Hackensack, N.J., house. The session for Prestige featured Sonny, Thelonious Monk on piano, Tommy Potter on bass and Art Taylor on drums. Up until then, Sonny's sound ...
Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by Ian Patterson
It would have been inconceivable for Miles Davis in his post-sabbatical, 1980s reincarnation to have been billed as “an extra added attraction" on any festival or concert hall billing, but that's how it was when the trumpeter--already a legend--played his first ever gigs at the Filmore East, supporting Neil Young & Crazy Horse and the Steve ...
Miles Davis: Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by Doug Collette
Intensely intoxicating as much as it is wholly hypnotic, Miles Davis Live at the Fillmore becomes increasingly so through the course of its four compact discs. More than doubling the playing time of the original four-sided vinyl release, The Bootleg Series Vol. 3 posits an argument the band(s) of this era were among the finest ever ...
Interview: Don Andrews Of Spirojazz
Q: Some people, especially those who familiar with progressive-rock albums from the '70s, would expect Space and Alienation as a science-fiction concept record. But Space and Alienation have a deeper meaning on your album, judging from the emotional tone of certain pieces. Is Space and Alienation what we feel from everyday living? In other words, we ...
Opus 5: Progression
by Andrew Luhn
In the world of jazz the quintet is an established tradition. The standard quintet format has been one of the most common throughout the history of the music. It's a hard format to mess up, but it's an even harder format in which to stand out. On their most recent recording, Progression, Opus 5 stands out ...
Alan Wilkinson/Steve Noble/John Coxon/Pat Thomas: The Founder Effect I
by Mark Corroto
You cannot judge a book by its cover. Maybe, but music fans somehow know that expression doesn't lend itself to album covers (in this case, CD covers). Look at the Blue Note Records covers from the 1960 sixties, Miles Davis' On The Corner (Columbia, 1972), or The Clash's London Calling (Columbia, 1979), and tell me you ...
Quentin Angus: Perception
by Dan McClenaghan
Quentin Angus, a multi-award-winning Australian guitarist, follows up his 2011 debut recording, Retrieval Structure, with the ambitious Perception. Born in 1987, he still clocks in as a “young" artist, but his music is strikingly mature. An apt comparison is the monumentally talented guitarist Pat Metheny, with a broad vision and a penchant for grand statements and ...
Jazz Vocals May
by C. Michael Bailey
Simin Tander Where Water Travels Home Jazzhaus 2014 German-Afghani vocalist and composer Simin Tander follows up her well-received debut recording Wagma (Neuklang, 2011). She again prefers the company of her trio: pianist Jeroen van Vliet, who also provides judicious electronic effects; stand- out bassist Cord Heineking; and drummer ...
Glenn Zottola: Reflections of Charlie Parker
by Geannine Reid
After nearly four decades Glenn Zottola has become one of the most respected, versatile and in-demand trumpet players--and saxophonists--in the world. Born and raised in Port Chester, New York, Zottola started playing trumpet at age three. By virtue of his musical household, this seemed almost as natural as learning to speak. His big brother, Bob, was ...
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