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Nick Hempton: Catch and Release
by Edward Blanco
Veteran New York saxophonist Nick Hempton lets loose with the stellar Catch and Release, a special project that has been a year-long journey and an experiment of sorts, in recording and releasing music. The album contains eight original Hempton compositions except that each tune was recorded and released separately for purchase on-line on the internet for, ...
Raymond MacDonald: Man with Two Brains
by Duncan Heining
By way of introduction... Saxophonist Raymond MacDonald is a busy man. He balances the life of a gigging, recording musician with a high-flying academic career and, in both respects, his reputation has grown far beyond his Glasgow home. As a musician, he is perhaps best known for his work with the George Burt/Raymond MacDonald ...
Nenad Georgievski's Best of 2015
by Nenad Georgievski
2015 was not an easy year. I became a dad for the third time while I was working on a Film festival for music documentaries. The festival itself was an uphill battle, but I managed to get it organized with astounding success. In the meantime I was writing constantly or was listening to music, as if ...
2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...
Marnix Busstra: Firm Fragile Fun
by Dave Wayne
Let's get one thing out of the way: guitarist and leader of the eminently capable quartet featured on Firm Fragile Fun Marnix Busstra sounds a great deal like John Scofield. Busstra's tone, phrasing, attack, and even his choice of guitar parallel those of the celebrated solo artist and ex-Miles Davis plectrist. When he digs into the ...
Howard Riley: Reinventing the Jazz Piano Trio
by Duncan Heining
Even allowing for journalistic hyperbole, the phrase reinventing the jazz piano trio" was a doozy. It all seemed a bit Emperor's new clothes" or, as my late mother used to put it, new coat and no knickers." For a time in the noughties, British critics variously applied the phrase to Esbjorn Svensson, Brad Mehldau, The Necks, ...
The Turbine!: Entropy/Enthalpy
by John Sharpe
Among a stream of US/French collaborations documented on the Rogue Art label, The Turbine! represents an unlikely combination: two double basses and two drum kits. One pair hails from each side of the ocean with the Chicago team of Hamid Drake and Harrison Bankhead matched against Benjamin Duboc and Ramon Lopez (in fact a Paris-based Spaniard). ...
Chamber 4: Chamber 4
by John Sharpe
Recorded live four days before the studio session which produced For Sale (Clean Feed, 2015), with three of the same participants, it's not surprising that Chamber 4 shares many of the same positives too. A similar blend of nationalities holds sway. French brothers Valentin and Théo Ceccaldi reaffirm their mastery of cello and violin respectively. Portuguese ...
Jeff Dayton-Johnson's 2015 Mixtape
by Jeff Dayton-Johnson
The narrator of Jean-Jacques Schuhl's 2002 novel Ingrid Caven muses, I like the connection, the splice, not the things themselves; what's between them, their rapport. Two ideas, images, the bridge between two harmonies for the jazz musician..." It's an interesting esthetic statement regarding jazz: that part of the music's appeal lies not in its components, but ...
Jason Miles/Ingrid Jensen: Kind of New
by Jeff Winbush
When your first or last name is Miles" and you play jazz and you make an album dueting with a trumpet player and you call it Kind of New, you're opening yourself up to all sorts of assumptions and expectations. Well, let's get those expectations out of the way. Kind of New is not ...


