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Dmitri Matheny: Flugelhorn Evangelist
by David Becker
The flugelhorn can be a difficult mistress. Players may find themselves endlessly explaining the differences between their axe and the trumpet, why their instrument seldom sounds like Miles Davis in a bad mood and why most horn players treat it as a specialty tool. But when someone with the authority of bebop legend and flugelhorn champion ...
Theo Croker: Escape Velocity
by Angelo Leonardi
A distanza di due anni da Afro-Physicist, Theo Croker incide con la nuova formazione DVRK FUNK mostrando di avere ancora idee da sviluppare nel connubio tra bop, soul, funk e fusion. Come sappiamo è un terreno quanto mai affollato e catturare l'attenzione degli ascoltatori non è facile. Ma ci riesce, confermando il suo talento di solista, ...
David Weiss: Memories of Freddie Hubbard
by David Weiss
Noted trumpeter, composer, and New Jazz Composers Octet founder, David Weiss shares several stories about his experience with trumpet legend Freddie Hubbard. As told to David Kaufman. I met Freddie Hubbard soon after he damaged his lip. I guess what basically happened was he had a blister on his lip that popped and got ...
John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987
by John Kelman
It's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words “fusion," “jazz-rock" and/or ...
Seamus Blake / Chris Cheek: Let's Call the Whole Thing Off
by Edward Blanco
Friends and musical collaborators for more than two decades, New York tenor saxophonists Seamus Blake and Chris Cheek have been leaders, sidemen and big band soloist throughout their distinguished careers and seem to cherish their roles as co-leaders on joint projects such as their critically-acclaimed Reeds Ramble (Criss Cross Jazz, 2014). Let's Call the Whole Thing ...
Jack DeJohnette at the Byrdcliffe Barn, Woodstock, N.Y
by Peter Occhiogrosso
Jack DeJohnette Byrdcliffe Barn Woodstock, NY August 13, 2016 When the lights went out, the power came on. Drummer Jack DeJohnette was scheduled to give a solo piano concert at the Byrdcliffe Barn--a century-old wooden structure-turned-concert venue--that had been part of the original Byrdcliffe Arts Colony ...
Michael Musillami/Rich Syracuse: Of The Night
by Dan McClenaghan
It would be hard to name an artist who has written more jazz standards than saxophonist Wayne Shorter, someone who has been penning memorable tunes since his days with Art Blakey's Jazz Messengers in the very early sixties. After his stint with Blakey, he contributed his singular song crafting acumen to Miles Davis' Second Great Quintet ...
Marina Albero: The Sweetness of the Edge
by Paul Rauch
Marina Albero burst onto the Seattle jazz scene in April of 2014, playing a brilliant set on vibraphone in a duo with flamenco jazz master, pianist Chano Dominguez. That evening we were not only introduced to her music, but to our new neighbor, as she was moving her family to Seattle from Barcelona. Since that time ...
Denny Zeitlin: Early Wayne: Explorations of Classic Wayne Shorter Compositions
by Budd Kopman
Early Wayne has many things going for it: it is a well recorded, live concert; pianist Denny Zeitlin, who has been recording for over fifty years, is masterful to the point of completely taking over the listening space, and, last but not least, the material used as the base for his improvisation is a set of ...
Jazz Popularity and You
by Douglas Groothuis
Twenty years ago I read in a William Bennett book that jazz made up only 3% of the music market. I often lamented that when jazz came up in any of the classes I taught. I further wondered if that lamentable percentage included sales by Kenny G. If so, all the worse, since, as Pat Metheny ...
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