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Formats – Solo Through Nonet
by C. Michael Bailey
One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these. Solo: Jamie Saft Solo a Genova RareNoise Records 2018 That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste ...
John McLaughlin on the Mystery of Creativity, Inspiration, & Music
by Alan Bryson
Improvised music within a sophisticated framework is one if the primary hallmarks of jazz. World class improvisation requires split second reactions, mental agility, dexterity, and the emotive soul of an artist. As a testament to his age defying vitality, on January 29, 2018 at the age of 76, John McLaughlin won a Grammy® Award for the ...
Yazz Ahmed: La Saboteuse
by Chris May
If Miles Davis was alive today and in the studio recording Bitches Brew, the results might, just might, resemble parts of London-based Yazz Ahmed's La Saboteuse. Other approximate reference points are, during the more reflective moments, Jon Hassell and Brian Eno's Dream Theory In Malaya: Fourth World Volume 2 and Davis's In A Silent Way. But ...
Dan Monaghan: The Man Behind The Swing
by Victor L. Schermer
Dan Monaghan is a working drummer who makes an indispensable contribution to the music by being the one who provides the swing and support that allows the other musicians to achieve their diverse objectives. He performs so often in the Philadelphia area that if you go to a jazz show, there's a fair chance he'll be ...
Mark Morganelli: Adds Club Owner To His Resume
by R.J. DeLuke
Mark Morganelli has long been known as a fine trumpet player and a promoter with years of experience in the New York City area dating back to a jazz loft 39 years ago, through booking at the Village Gate, Birdland, morphing into his nonprofit Jazz Forum Arts organization known for the summer concert series he has ...
Emmet Cohen: Master Legacy Series, Volume 2
by Mike Jurkovic
Let's not mince words. Everything you want from a great jazz trio recording -electricity, pacing, innovation, dynamic virtuosity and interplay, flights of fancy and passion -are found in great abundance on Emmet Cohen's newest Master Legacy Series Volume 2. Recorded live June, 2017 in Vancouver, B.C., pianist Cohen, featured elder and bassist extraordinaire Ron ...
Frank Woeste: Reversing Ravel
by Ludovico Granvassu
Maurice Ravel is not only one of the great authors of 20th century classical music, but one of a handful of classical composers to have demonstrated an interest in jazz. During his tour of the United States in 1928, Ravel went to the Savoy Ballroom in Harlem, or Connie's Inn and the nearby Cotton Club, to ...
Savoy Records: From Newark To The World
by Jordan Levy
On June 26, 1942, James Petrillo, President of the American Federation of Musicians, the nations union for working musicians did the unthinkable and announced a recording ban on all major labels. The ban was set in place due to perceived uneven compensation for musicians. The AFM ban on recording occurred at a critical time, as it ...
ECV: Sticks and Stones
by John Kelman
While a somewhat common secondary instrument for primarily electric guitarists including Vic Juris, Pat Metheny and Adam Rogers, there are but a handful of jazz six-stringers alive today who make the nylon-string acoustic guitar their main axe. Despite being known to pick up a warm-toned hollow body electric guitar when the need arises, Ottawa, Canada-based Roddy ...
Abbey Rader and John McMinn: Phenobarbital Sessions
by Hrayr Attarian
Improvised soundtracks in motion pictures have a venerable tradition. Perhaps the best known among them remains trumpeter Miles Davis' Ascenceur Pour L'Echafaut (Fontana, 1958). Film director Jorge Rubiera, who had made a documentary on the intrepid drummer Abbey Rader, approached him for a score for his project “Phenobarbital." Rader together with longtime collaborator saxophonist John McMinn ...
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