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Jack Hues and His Muse: The First Thing I Need is Music
by Kurt Ellenberger
In the world of rock and pop music, the most successful musicians and groups tend to emerge in their early 20s with a burst of creativity that few can sustain past a handful of recordings. Unlike in classical music and jazz, where musicians and composers continually develop and evolve well into old age, rock musicians generally ...
Adam Rudolph / Ralph M. Jones / Hamid Drake: Imaginary Archipelago
by Mark Corroto
Often the music of Adam Rudolph can be a bit intimidating. An authority in Afro-Cuban, Indian, West Africa musics and jazz, Rudolph's performances remind budding ethnomusicologists and jazz critics their knowledge inhabits a very provincial realm. Luckily that intimidation is reserved to academics and writers. The remaining listening audience is free to enjoy these sounds associated ...
Big Bands, Orchestras and New Sounds
by Bob Osborne
This week we focus on new releases interpreting pop hits in a big band style with Dave Stryker working with Bob Mintzer and the WDR Big Band; delivering solo piano compositions with a cinematic blend of classical, post-minimalist and traditional music courtesy of Kosta Jevtić, from Serbia; or incorporating folk elements into contemporary jazz by Kari ...
Lonnie Liston Smith & The Cosmic Echoes: Expansions
by Chris May
If ever a first wave jazz-funk album deserved a 180gm vinyl reissue in 2020 it is this near masterpiece. It was originally released in 1975 on Flying Dutchman, the label Bob Thiele set up after he left Impulse!. Jazz-funk divided the jazz world in the 1970s as much as free-jazz had done a ...
Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums
by Chris May
With all the transgressive flair you would expect of bohemian New York City in the 1970s and 1980s, Bernie Brightman's Stash Records made its name with a hugely entertaining series of sex and drugs-themed compilations of swing-era recordings. The first was Reefer Songs in 1976. But Brightman's legacy extends much further. There was a finite amount ...
Take Five with Itamar Shapiro
by AAJ Staff
Meet Itamar Shapiro Itamar Shapiro is an Israeli drummer based in New York City. He is a 2019 graduate of the New School for Jazz and Contemporary Music and over the years has played with world-renowned artists such as Sullivan Fortner, Joel Frahm and more. He played and recorded with his own groups and has performed ...
Fire Music: When Jazz Speaks Out - Part 2
by Ludovico Granvassu
In the second part of this special dedicated to jazz and civil rights [for the first part click here] we look into music inspired by the bloody events that marked the advancement of the civil rights movement, the names of the victims of ongoing brutality. The playlist included tunes which incorporate the words or the cadence ...
John Scofield: One For Swallow
by Ian Patterson
From time to time in his storied career John Scofield will take a look over his shoulder and re-examine some of the music that has fed into his own, personal brand of jazz. The influences are many, for no matter the context that Scofield engineers, his distinctive sound always carries something of the blues, a little ...
Peter And Will Anderson: Featuring Jimmy Cobb
by Edward Blanco
Grammy Award-winning saxophonists and identical twins, Peter and Will Anderson document another burner of a recording on their Featuring Jimmy Cobb album, released within days of the passing of the legendary drummer in May 2020. The last surviving member of the Miles Davis band that recorded the ground-breaking jazz album Kind of Blue ...
Bloto: Erozje
by Chris May
Look closely and the sleeve art resembles a painting by Ghariokwu Lemi for one of Fela Kuti's 1970s albums with Afrika 70. In the foreground, policemen beat citizens to the ground. In the background, another policeman leads someone off to a paddy wagon. Only the policemen's mobile phones locate the scenario in more recent times. Could ...
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