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11

Article: Album Review

Mats Eilertsen: And Then Comes The Night

Read "And Then Comes The Night" reviewed by Mike Jurkovic


On their first offering for ECM as a trio, And Then Comes The Night, stalwart label mates: bassist/leader/composer {Mats Eilertsen, drummer Thomas Strønen, and ethereal pianist Harmen Fraanje deftly create a sustained work of near impossible beauty and sublime human interaction. With evanescent shifts of time, shaded harmony and tone, Eilertsen--his nuanced writing highlighted ...

9

Article: Album Review

Ralph Alessi: Imaginary Friends

Read "Imaginary Friends" reviewed by Mike Jurkovic


Ever leading the avant-garde, trumpeter Ralph Alessi has never been pressed for future-forward ideas or the time to express them in whatever setting best suits the music. Not counting his prodigious work alongside such leading figures as Fred Hersch, Don Byron, and Steve Coleman, in this tumultuous century alone Alessi has led and released such challenging ...

8

Article: Album Review

Joe Lovano: Trio Tapestry

Read "Trio Tapestry" reviewed by Mike Jurkovic


With all tonalities being created equal, on Trio Tapestries, Joe Lovano's first as a leader for ECM and one of the first releases of the label's fiftieth year, silence abides. Both as concept and as actuality, silence lays at the heart of this eleven song lattice. Even the spacing between the tracks hangs appended, allowing the ...

4

Article: Album Review

Dave Meder: Passage

Read "Passage" reviewed by Mike Jurkovic


"Philosophically, what I'm after is the lofty goal of being able to play everything," says 28-year-old pianist David Meder of his ambitions and crowd-sourced debut, Passage. Like he says, that's pretty lofty, if not downright cocky. But what is jazz, let alone any artistic endeavor, if not an equal mix of both, and the chops to ...

1

Article: Album Review

Tomasz Dabrowski: Ninjazz

Read "Ninjazz" reviewed by Mike Jurkovic


Ninjazz, just one of Polish trumpeter Tomasz Dabrowski's several recorded efforts of 2018, finds him leading his quartet Ad Hoc through a serious investigation of ten cerebral, tonal abstractions. Uninhibited by language, and sound explorers all, Dabrowski's all-Japanese cohorts, pianist Hiroshi Minami, double bassist and electronics Hiroki Chiba and time-defying drummer Hiroshi Tsuboi viscerally ...

8

Article: Album Review

Greg Ward: Stomping Off From Greenwood

Read "Stomping Off From Greenwood" reviewed by Mike Jurkovic


"Metropolis," the genre-shifting, stomping, opening track on alto saxophonist Greg Ward's acrobatic sophomore disc, introduces his electric jazz vision with a bristling and nervy rock 'n' roll verve. It's anchored by the sprawling kinetic energy of Chicago's tireless rhythm duo of drummer Quin Kirchner and bassist Matt Ulery, and the cutting clarity and dissonance of guitarists ...

2

Article: Live Review

Darrell Grant Black Art @ 25 Quartet at Birdland Theater

Read "Darrell Grant Black Art @ 25 Quartet at Birdland Theater" reviewed by Mike Jurkovic


Darrell Grant Black Art @ 25 Quartet Birdland Theater New York January 16, 2019 In the tumultuous, twenty-five year interim since his debut, Black Art took the early to mid-'90s jazz community by storm. Pianist Darrell Grant has built for himself a solid, respected, and steady, if low-profile rep; an unapologetic, ...

4

Article: Album Review

Julian "Cannonball" Adderley: Swingin' In Seattle, Live At The Penthouse 1966-1967

Read "Swingin' In Seattle, Live At The Penthouse 1966-1967" reviewed by Mike Jurkovic


Julian “Cannonball" Adderley and his merry men--brother/cornetist Nat Adderley, bassist Victor Gaskin, backbeat king drummer Roy McCurdy and bursting-at-the-seams-with-new-ideas pianist Joe Zawinul--were having themselves a high time during 1966-67, that Renaissance time of adventure between Cecil Taylor's Unit Structures (Blue Note, 1966), Miles Smiles (Columbia, 1967) and the colorful, imagination emancipations of Sgt. Peppers' Lonely Hearts ...

2

Article: Album Review

Harold Mabern: The Iron Man: Live At Smoke

Read "The Iron Man: Live At Smoke" reviewed by Mike Jurkovic


Hard-bopping pianist Harold Mabern may have made his recording debut in 1959 with drummer Walter Perkins' quintet and led his first session in 1968 for Blue Note on the soulful A Few Miles From Memphis but here he is, at 82, playing with straight-ahead, youthful joie de vivre on the story telling, life affirming, two-disc set ...

5

Article: Album Review

Emmet Cohen Trio: Dirty in Detroit

Read "Dirty in Detroit" reviewed by Mike Jurkovic


It's very comforting to know that, in a year of intense turmoil on every possible level, firebrand pianist Emmet Cohen bookended an otherwise dire 2018 with his hotly-received Masters Legacy Series Volume 2, featuring Ron Carter, and ended the year with this palpably joyful romp Dirty In Detroit. Ready to party and blow off ...


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