On their first offering for ECM as a trio, And Then Comes The Night, stalwart label mates: bassist/leader/composer Mats Eilertsen, drummer Thomas Strønen, and ethereal pianist Harmen Fraanje deftly create a sustained work of near impossible beauty and sublime human interaction.
With evanescent shifts of time, shaded harmony and tone, Eilertsenhis nuanced writing highlighted on the acutely hailed Rubicon (ECM, 2016)the bassist boldly strips down from septet to a trio, resulting in a music more expansive, more revelatory upon each successive listen.
Recorded May 2018 with Manfred EicherECM's heart, soul, and founder at the helm in Lugano, Switzerland's hallowed Auditotio Stelio Molothe trio took eight Eilertsen and two Fraanje compositional sketches and began a luminous excursion into greater emotional depth and understanding. Bookended by the somber, reflective "22" and "22 (var.)," (written in stunned response to the mass killing on the island of Utoya, July 22, 2011), the music in-between flows as one atmospheric whole, with even the track sequencing and spacing conceived to let the music naturally fade, glow, reverb, linger, and emerge.
If, as posited, And Then Comes The Night plays as an expressive whole without the usual structural conventions, it appears, on first glance, inappropriate to single out any one passage or, for lack of a better descriptor, song. Yet to fully realize how one mood gives itself over willingly to the next, like the delicacy of clouds changing shape, like love gives itself to the needs of the loved, some examples need to be mentioned. "Sirens," with Strønen's capering cymbals and Eilertsen's resonant thrumming give Fraanje plenty of room for melodic immersion. The brief yet invaluable "After The Rain" is led by Fraanje's innate joy for a child's smile. "Albatross" and "Solace," two of the more group-led shimmering improvs, and "The Void," an older Eilertsen piece given new life, serve as testimonials to the majesty of which we humans are more than capable.
22; Perpetum; Albatross; After The Rain; The Void; Solace; Sirens; Then Comes The Night; Soften; 22 (va.).
Harmen Fraanje: piano; Mats Eilertsen: double bass; Thomas Stronen: drums.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.