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Eden Giat: Crossing the Red Sea
by Mike Jurkovic
Given the dire state of the US both at home and abroad, it's a wonder that jazz musicians across the globe, in their own tongue, their own aesthetic and their own devices, still try to carry the music of American tradition forward while calling it their own. It only proves how marvelous and resilient this music ...
Dan Blake: Da Fé
by Mike Jurkovic
It's comforting to know that saxophonist Dan Blake hasn't taken Thoreau's inconvenient truth that “most men lead lives of quiet desperation" to heart. Instead, as his Da Fé (translated: of faith) and his apprenticeships with Anthony Braxton} and {{Julian Lage prove succinctly, Blake intends to bring the music, and the consciousness of our fragility within it, ...
Gunter Gruner: The Invisible Landscape
by Mike Jurkovic
An ardent student of no less a legend than Andrew Cyrille, drummer/composer Gunter Gruner's fondness for jumpy, adroit, noir landscapes comes with a decisively Pink Panther stroll: lanky, animated, wise-ass but humble. His side-street detours to survey The Invisible Landscape involve more than the usual walk down free-form lanes. With downtown, free-jazz giant Daniel ...
Nik Bärtsch: Entendre
by Mike Jurkovic
Prepared, primal architecture sparks the core of pianist Nik Bartsch's rapid fire, polymetric obsessions. So he titles his works moduls (German) or modules as the are known in King's English. Each piece adaptable and transactional to the next. Each variant available to lend its unique ruminative or propulsive elements to the music preceding or succeeding it. ...
Yaniv Taubenhouse: Moments In Trio Volume Three: Roads
by Mike Jurkovic
Remember the excitement you first felt drawing circles as a kid? That profoundly innocent sense of being able to construct anything inside, outside, on, or upon those circles? Faces, trees, noses. Birds. bees, roses. A wide, westward, indigo sky. A fathomless blue ocean of liquid imagination. That's what it's like when you fully and gratefully engage ...
Julie Sassoon: If You Can't Go Outside...Go Inside
by Mike Jurkovic
As we've learned time and time again throughout this sick year, 2021, not many humans are ready to completely surrender themselves for the good of their fellow kind. So it's truly a beautiful thing when Berlin based pianist Julie Sassoon surrenders so completely to her instrument and the moment that, like a medium, reveals mysteries to ...
Bill Evans: Hey Bill, It's Paul From Abbey Road
by Mike Jurkovic
Hot after the release of Bill Evans Live at Ronnie Scott's (2020), Resonance Records and the Estate of Bill Evans announced an extraordinary find, now in the final stages of being prepped as a two-disc set entitled Hey Bill, It's Paul from Abbey Road. Recorded off the cuff as a sort of mic-set-up time ...
Matty Stecks & Persiflage: Night Cravings
by Mike Jurkovic
Like sneaking into the boy's room for a smoke, bassist Dave Ambrosio intros both Night Cravings, the concept and title track, with a sinister ease, sparking a slow burning fuse that once lit, ain't going out until all in attendance damn well reach accord. Or don't. Either/or, it's a spilling energy not unlike the frisson encounters ...
Amanda Suwondo: Revisit
by Mike Jurkovic
It's genuinely odd and oddly gratifying that a young native Indonesian whom, after traveling to LA to study with Tamir Hendelman, mentor in New York with Christian Sands, and who now calls the land down under home, can remind one of America's lost, defiant lilt and how badly we need to get it back.
Bill Evans: Live at Ronnie Scott's
by Mike Jurkovic
Bill Evans was always at home onstage. Live at Ronnie Scott's, Resonance Records' fifth Bill Evans archival offering, hits the same high marks as its predecessors--2012's standard bearer Live at Art D'Lugoff's Top of The Gate , 2016's Some Other Time: The Lost Session From the Black Forest, 2018's Another Time and 2019's Evans In England--majestically ...
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