Home » Jazz Articles » Album Review » Dave Brubeck Trio: Live From Vienna 1967
Dave Brubeck Trio: Live From Vienna 1967
Having already notified Desmond, bassist Eugene Wright and drummer Joe Morello of his wishes to spend more time with his family, this European tour would be the classic quartet's last. But did they play like men walking the plank? You know they didn't. They couldn't. And it is well documented on such high calibre recordings as Their Last Time Out: The Unreleased Live Concert, December 26, 1967 (Columbia/Legacy, 2011), The Last Time We Saw Paris(Columbia, 1968), and Buried Treasures (Columbia, 1998).
But the guys truly up their game as a trio in Desmond's absence on Live From Vienna 1967. Vamping and improvising on the spot in real time to fill the spaces where Desmond would mightily soar or turn a quick phrase, Brubeck, Wright, and Morello play like a trio born to be, well a time-honored trio. "St. Louis Blues" breaks with such immediacy that a listener might think they were listening to the trio in mid set flight, but this is only the beginning of a one-of-a-kind recording which truly (at a brisk forty-five minutes) goes by way too fast. "Swaneee River" is a spirited, polyrhythmic romp, with Morello especially in a teasing, playful state of mind. If the trio and evening's two thousand or so attendees missed Desmond they never let on, and we are all rewarded with an eloquently supple and buoyant "Someday My Prince Will Come" and a Wright-charged swing crazy take of "Take The A Train."
Track Listing
St. Louis Blues; One Moment Worth Years; Swanee River; La Paloma Azul; Someday My Prince Will Come; Take The A Train.
Personnel
Album information
Title: Live From Vienna 1967 | Year Released: 2022 | Record Label: Brubeck Editions
About Dave Brubeck
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







